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Table of Contents Introduction Dennis Austin Britton and Melissa Walter 　 Part One: Source Study, Sustainability, and Cultural Diversity Toward a Sustainable Source Study Lori Humphrey Newcomb Contaminatio, Race, and Pity in Othello Dennis Austin Britton Translating Plautus to Bohemia: Ruzante, Ludovico, and The Winter’s Tale Jane Tylus Veiled Revenants and the Risks of Hospitality: Euripides’ Alcestis, the Renaissance Novella, and Shakespeare’s Much Ado About Nothing Susanne L. Wofford 　 Part Two: Sources and Audiences Traces of Knowledge: Microsource Study in Cymbeline and Lear Meredith Beales Reconstructing Holinshed: History and Romance in Henry VIII Dimitry Senyshyn Shakespeare’s Transformative Art: Theatrical Paradigms as Sources in All’s Well that Ends Well and Macbeth David Kay 　 Part Three: Authorship and Transmission Diachronic and Synchronic: Two Problems of Textual Relations in The Comedy of Errors Kent Cartwright Greek Sacrifice in Shakespeare’s Rome: Titus Andronicus and Iphigenia in Aulis Penelope Meyers Usher Multiple Materials and Motives in Two Gentlemen of Verona Meredith Skura The Curious Case of Mr. William Shakespeare and the Red Herring: Twelfth Night and its Sources Mark Houlahan 　 Part Four: Source Study in the Digital Age Shakespeare Source Study in the Age of Google: Revisiting Greenblatt’s Elephant’s and Horatio’s Ground Brett D. Hirsch and Laurie Johnson "Tangled in a net": Shakespeare the Adaptor/Shakespeare the Source Janelle Jenstad Lost Plays and Source Study David McInnis