目次

Preface Acknowledgements Note on the Text Introduction Section 1: The USA Chapter 1: African Americanisation, Black Power and black British drama since the 1970s. Chapter 2: Black Power legacies in Kwame Kwei-Armah’s Elmina’s Kitchen, Fix Up and Statement of Regret. Chapter 3: African American myths, music, icons in Mojisola Adebayo’s Moj of the Antarctic and Muhammad Ali and Me. Section 2: The Caribbean Chapter 4: Creolisation and the creole continuum in Caribbean British drama. Chapter 5: Coming to voice – Roy Williams’ The No Boys Cricket Club, Lift Off, Fallout and Sing Yer Heart out for the Lads. Chapter 6: African accents – Bola Agbaje’s Gone Too Far!, Detaining Justice and Off the Endz. Section 3: Africa Chapter 7: Home to host-land and the hyphen in-between – African British diasporic dramas since the 1990s. Chapter 8: Multiple personality diasporic disorder – Inua Ellams’ The 14th Tale and Untitled. Chapter 9: Empathy in diaspora – debbie tucker green’s stoning mary, generations and truth and reconciliation. Conclusion