目次

2001: Principles for Designing Computer Music Controllers.- 2001: Problems and Prospects for Intimate Musical Control of Computers.- 2002: The importance of parameter mapping in electronic instrument design.- 2002: Multimodal Interaction in Music Using the Electromyogram and Relative Position Sensing.- 2002: The Plank: Designing a Simple Haptic Controller.- 2003: Contexts of Collaborative Musical Experiences.- 2003: Sonigraphical Instruments: From FMOL to the reacTable*.- 2003: Designing, Playing, and Performing with a Vision-based Mouth Interface.- 2003: OpenSound Control: State of the Art 2003.- 2004: The Electronic Sitar Controller.- 2004: PebbleBox and CrumbleBag: Tactile Interfaces for Granular Synthesis.- 2004: Toward a Generalized Friction Controller: From the Bowed String to Unusual Musical Instruments.- 2004: On-the-fly Programming: Using Code as an Expressive Musical Instrument.- 2005: Towards a Dimension Space for Musical Devices.- 2005: The Overtone Violin.- 2006: Sensemble: A Wireless, Compact, Multi-User Sensor System for Interactive Dance.- 2006: Mobile Music Technology: Report on an Emerging Community.- 2007: Wireless Sensor Interface and Gesture-Follower for Music Pedagogy.- 2007: Don’t Forget the Laptop: Using Native Input Capabilities for Expressive Musical Control.- 2007: Expression and its Discontents: Toward an Ecology of Musical Creation.- 2007: The Acoustic, the Digital and the Body: A Survey on Musical Instruments.- 2008: Eight Years of Practice on the Hyper-Flute: Technological and Musical Perspectives.- 2009: A History of Hemispherical Speakers at Princeton, Plus a DIY Guide.- 2011: Satellite CCRMA: A Musical Interaction and Sound Synthesis Platform.- 2012: The Fingerphone: a Case Study of Sustainable Instrument Redesign.- 2012: To be inside someone else’s dream: Music for Sleeping & Waking Minds.- 2012: TouchKeys: Capacitive Multi-Touch Sensing on a Physical Keyboard.- 2013: The Web Browser As Synthesizer And Interface.- 2014: To Gesture or Not? An Analysis of Terminology in NIME Proceedings 2001–2013.- 2015: Fourteen Years of NIME: The Value and Meaning of ‘Community’ in Interactive Music Research.