目次

1. Contemporary approaches to rock art in South America: introductory remarks; 2. The materiality of rock art. Image-making technology and economy viewed from Patagonia; 3. Rock art and technology. A spatio-temporal proposal from the upper basin of the Limari river, north central Chile; 4. Rock art in the construction of landscape, Parguaza river basin, Venezuela; 5. Memory in the stone. Rock art landscape at Cerro Colorado as a negotiation space for social memory; 6. Signs in the desert: geoglyphs as cultural system and ideology (northern Chile); 7. Capivara (north-east Brazil) and the Limari Basin (Chile): a semiotic tale of two rock art landscapes; 8. Exploring rock paintings, engravings and geoglyphs of the Atacama Desert through materiality, style, and agency; 9. Hunting scenes in Cueva de las Manos: style, content, and chronology (Rio Pinturas, Santa Cruz, Patagonia); 10. Rock art assemblages in north central Chile: materials and practices through history; 11. Ethnogeology of rock art? Some considerations derived from Amazonianist ethnographies