【19世紀初期のドイツのオペラにおける中世主義とナショナリズム】
Medievalism and Nationalism in German Opera(Routledge Research in Music) H 200 p. 20
Richardson, Michael S. 著
目次
Chapter 1: German Opera, the Rediscovery of the Middle Ages, and the Building of a Chapter 2: Medieval Song I: Diegetic Portrayals of Minnesang in Weber’s Euryanthe and Wagner’s Chapter 3: Medieval Song II: Folk Song and the Lied in Schubert’s FierrabrasChapter 4: Christianity: Church Music as a Signifier of “Pastness” in Schumann’s GenovevaChapter 5: Chivalry: Masculinity and Nation in Marschner’s Der Templer und die Jüdin and Wagner’s Chapter 6: The Drive Toward Unification, Die Meistersinger von Nürnberg, and Modern
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