目次

Introduction I: Inscribing and visualising the Unseen 1. ‘Privy Tuchyngs of Swete Gostly Syghts’: Art and Illumination in Julian of Norwich 2. ‘It’s not Dark Yet, but it’s Getting There’! 3. "Rain of God’s Letters" - Glagolitic Alphabet as a Mystical Tool? II Cataphasis and Apophasis in Text and Image 4. Visions of the otherworld: the examples of Fursey and Dryhthelm in Bede’s Historia Ecclesiastica and in the Homilies of Ælfric. 5. Imitatio and visio in Jan Van Eyck, Thomas a Kempis and Nicholas of Cusa 6. "One Beginning . . . ever unbegun and unended" 7. The Desert of Religion: a Voice and Images in the Wilderness II: Sensing and Seeing The Mystical 8. Art and Mysticism as Horticulture: Late Medieval Enclosed Gardens of the Low Countries in an Interdisciplinary Perspective 9. Medieval Pop: Warhol’s Byzantine Iconography 10. Art and Inarticulacy 11. Ravishing Far/Near: Representing the Mystical Moment. IV Art, Aesthetics and Mysticism 12. The Gaze of Divine Sorrow: Visio and Unio Mystica in Christian Art 13. Art, Contemplation and intellectus: Aquinas and Gadamer in Dialogue 14. ‘Beneath the Surface’: Whose Phenomenology? Which Art?