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List of figures, tables and boxes Notes on contributors Acknowledgements 1 Framing the field of popular music history and heritage studiesZelmarie Cantillon, Catherine Strong, Lauren Istvandity and Sarah Baker PART 1History and historiography 2 Problematising popular music history in the context of heritage and memoryBruce Johnson 3 Gendered narratives of popular music history and heritageRosa Reitsamer 4 Racialising music?fs past and the media archive Nabeel Zuberi 5 Sounding out popular music history: a musicological approachRichard Elliott 6 Reconstructing the past: popular music and historiographySteve Waksman 7 Cultural consecration and the creation of canonsVaughn Schmutz 8 What we did was secret: (one version of) the writing of popular music?fs historiesJon Dale 9 Music magazines and the first draft of historyDave Laing and Catherine Strong 10 Screening popular music?fs past: music documentary and biopicsTim Wall and Nicolas Pillai 11 Historiography and the role of the archiveAntti-Ville Karja PART 2Heritage 12 What is popular music cultural heritage?Paul Long 13 The politics of popular music heritageHenry Johnson 14 Local and global intersections of popular music history and heritageRobert Knifton 15 Popular music heritage and tourismBrett D. Lashua 16 DIY preservationism and recorded music - saving lost soundsAndy Bennett 17 ?eKnowledge of Beatles songs and McCartney parts essential?f: tribute acts, the music industries and the value of heritageShane Homan 18 Burning punk and bulldozing clubs: the role of destruction and loss in popular music heritageCatherine Strong PART 3Memory 19 Popular music and the memory spectrumMichael Pickering 20 Popular music and autobiographical memory: intimate connections over the life courseLauren Istvandity 21 Popular music in mediated and collective memoryBen Green 22 ?eDo you remember rock ?en?f roll radio??f How audiences talk about music-related personal memories, preferences, and localitiesAmanda Brandellero, Marc Verboord and Susanne Janssen 23 Popular music and commemorative ritual: a material approachIrene Stengs 24 Songs that resonate: the uses of popular music nostalgiaArno van der Hoeven 25 Citizen archiving and virtual sites of musical memory in online communitiesJez Collins PART 4Institutions 26 Representing popular music histories and heritage in museumsMarion Leonard 27 Sound archives, ethnography and sonic heritageNoel Lobley 28 Popular music halls of fame as institutions of cultural heritageRaphael Nowak and Sarah Baker 29 DIY institutions and amateur heritage makingD-M Withers 30 Reissue programmes: framing the past as projectElodie A. Roy PART 5Case studies 31 Rethinking Indigenous popular music heritage as Australian heritageAse Ottosson 32 ?eKoile, ?eTe Hua?f and the Reggae-fication of cultural heritageDan Bendrups, Pip Laufiso and Hiliako Iaheto 33 Bollywood: its histories in India, and beyondJayson Beaster-Jones 34 Preserving popular music heritage in HungaryEmilia Barna 35 The history and heritage of popular Afrikaans musicSchalk van der Merwe 36 Sound archives in West AfricaGraeme Counsel 37 Palestinian popular music: how popular music becomes heritageMoslih Kanaaneh 38 Phillips?f Sound Recording Services: the studio that tourism forgotMike Brocken Index