目次

Systematic Musicology: a historical interdisciplinary perspective. - Part A: Musical Acoustics.- Vibrations and Waves. – Wave in 2D and 3D. – Construction of Wooden Musical Instruments. – Measurement Techniques. – Stringed Instruments. – Modeling of Wind Instruments. – Properties of the Sound of Flue Organ Pipes. – Percussion Musical Instruments. – Musical Instruments as Synchronized Systems. – Room Acoustics. – Part B: Signal Processing. – Music Studio Technology. – Delay-Lines and Digital Waveguides. – Convolution, Fourier Analysis, Cross-correlation and their interrelationship. – Adaptive Musical Control of Time-Frequency Representation. – Audio Source Separation in a Musical Context. – Finite-Difference Schemes in Musical Acoustics. – Wave Field Synthesis. – Optical Music Recognition. – Real-time Signal Processing Applications on Field Programmable Gate Arrays (FPGA). – Part C: Music Psychology and Physiology. – Auditory Time Perception. – Auditory Sensory Memory. – Long-term memory for music. – Auditory Working Memory. – Musical Syntax I: Theoretical Perspectives. – Musical Syntax II: Empirical Perspectives on Syntactic Processing. – Rhythm and Beat Perception. – Music and Action. – Music and Emotions. – Part D: Psychophysics and Psychoacoustics. – Fundamentals. – Pitch and Pitch Perception. – Perception of Timbre and Sound colour. – Sensation of sound intensity and perception of loudness. – Part E: Music Embodiment. - Embodied Music Cognition. – Sonic Object Cognition. – Embodied music cognition for health and well-being. – A conceptual framework for music-based interaction systems. – Methods for studying music-related body motion. – Part F: Music and Media. – Content-based methods for knowledge discorery in music. – Hearing Aids and Musicians. – Music Technology and Education. – Enabling Interactive and Interoperable Semantic Music Applications. – The relation between music technology and music industry. – Computational Ethnomusicology. – Automatic music composition and singing voice assessment. – Digital Sensing of Musical Instruments. – Part G: Music Ethnology. – Interaction between Systematic Musicology and Research on Traditional Music. – Analytical Ethnomusicology. – Musical Systems of Sub-Saharan Africa. – Music among ethnic minorities in Southeast Asia. – Music Archaeology. – The complex dynamics of improvisation. – Music of struggle and protest in the 20th century. Musical Acoustics.- Physics.- Introduction:  Ancient Musical Instruments.- Organology.- Mathematical Foundation.- Stringed Instruments.- Reed Instruments.- Flue Instruments.- Percussion Instruments.- Physical Modelling.- Nonlinearities, Synchronization.- Room Acoustics.- Signal Processing.- Introduction: From Electro to Electronic.- Spectrum, Filter, Impulse Response.-Sound Synthesis Methods.- Amplification, Sound Systems.- Delay-Lines, Waveguides.- Sound-Source Separation.- Automatic Score Extraction.-Wavelets.- Autoregressive Spectrum, Linear Predictive Coding.- Wavefield Synthesis.- Music Psychology.- Physiology.- Introduction: The origin of music.- The inner and outer ear.- EEG, fMRI.- Auditory Pathway.- Auditory Cortex.- Audition and Movement.- Audition and Vision.- Rhythm and the Brain.- Emotion.- Binaural Hearing and Spaciousness.- Perception/Action/Motivation.- Introduction: Mind – Matter – Music.- Psychoacoustic Foundations.- Statistical Methods.- Timbre.- Loudness, Roughness, Sharpness.- Pitch.- Melody, Texture, Form.- Rhythm.- Memory.- Music Ethnology.- Traditional Music of the World.- Introduction: History of Comparative Musicology and Ethnomusicology.- Europe.- Africa.- Middle Asia.- Southeast Asia.- China.- North America.- Middle and South America.- The Pacific.- Popular Music.- Introduction: History of Popular Music Studies.- Jazz.- Rock’n Roll, Beat.- Folk.- Jazzrock, Fusion.- Classic Rock.- World Music.- Techno, Dance.- Hip-Hop.- Electro.- Music Theory.- Musical Texture.- Introduction: Philosophy and System.- Riemann: Funktionsharmonik.- Schenker: Ursatz.- Lerdal & Jackendoff: Generative Theory of Music.- Rhythm Theories.- Tonal Systems.- Music and Gestalt.- Connectionism.- Semantics and Philosophy of Music.- Introduction: Music in the Quadrivium.- Semiotik and Semantic of Music.- Musical Gesture.- Music and Politics.- Music Sociology.- Music in Film.- Music and Emotion.- Music and Time.- Music and Media.- Technology.- Introduction: Tools to Music.- Music Content Systems.- Compositional Tools.- VST-PlugIns.- Web Music.- Motion Capture.- Sensor Techniques.- DSP-Chips, FPGA Hardware, Graphic Card Applications.- Applications.- Introduction: The role of music in modern society.- Forensic Music Psychology.- Music Industry.- Music and Marketing.- Multimedia Compositions.- Sound Design.- Soundscapes.- Music with Hearing Aids.