内容

目次

Volume 1: 1. Musical legacies from the ancient world Peter Jeffery 2. Origins and transmission of Franco-Roman chant Andreas Pfisterer 3. Sources of Romano-Frankish liturgy and music Joseph Dyer 4. Regional liturgies: Spanish, Beneventan, Gallican, Milanese Terence Bailey 5. Nova cantica Jeremy Llewellyn 6. Music and prosopography Margot Fassler 7. The silence of medieval singers Benjamin Bagby and Katarina Livljanic 8. Notation I Thomas Kelly 9. Tropes Andreas Haug 10. Sequence Lori Kruckenburg 11. Music theory Thomas Christensen 12. Vernacular song: lyric Elizabeth Aubrey 13. Vernacular song: romance Anne Ibos-Augé 14. Instruments and their music Nigel Wilkins 15. Teaching and learning music Anna-Maria Busse Berger 16. Music in drama David Klausner 17. The sources Stanley Boorman 18. The revival of medieval music John Haines 19. Medieval performance practice Timothy McGee 20. Issues in the modern performance of medieval music John Potter Volume 2: 21. Institutions and foundations Alejandro Planchart 22. Notation II Lawrence Earp 23. Rhythm and metre John Caldwell 24. Tonal organisation in polyphony, 1150–1400 Peter Lefferts 25. Liturgy and plainchant, 1150–1570 Peter Lefferts and Roman Hankeln 26. Early polyphony James Grier 27. Notre Dame Edward Roesner 28. Liturgical polyphony after 1300 Karl Kügle 29. The emergence of polyphonic song Mark Everist 30. Vernacular song: polyphony Elizabeth Eva Leach 31. The thirteenth-century motet Rebecca Baltzer 32. The fourteenth-century motet Alice Clark 33. Latin song I: songs and songbooks from the ninth to the thirteenth century Helen Deeming 34. Latin song II: the music and texts of the conductus Thomas Payne 35. Trecento I: secular music Michael Cuthbert 36. Trecento II: sacred music and motets in Italy and the East from 1300 until the end of the schism Michael Cuthbert 37. Ars subtilior Anne Stone 38. Citational practice in the later Middle Ages Yolanda Plumley 39. 'Medieval music' or 'early European music'? Reinhard Strohm