目次

1. Adrian Danks, Stephen Gaunson and Peter C. Kunze, Where I’m Calling From: An American-Australian Cinema? Part I. Across the Pacific: Looking to America2. Adrian Danks, Rudimentary Modernism: Ken G. Hall, Rear-Projection and 1930s Hollywood3. Leslie DeLassus, Simulated Scenery: Travel Cinema, Special Effects and For the Term of His Natural Life4. Jane Mills, Representations and Hybridisations in First Nation Cinema: Change and Newness by Fusion5. Fincina Hopgood, Of Mothers and Madwomen: Mining the Emotional Terrain of Toni Collette’s Anti-Star PersonaPart II. The View From There: Australian Films in the US6. Tessa Dwyer, Accented Relations: Mad Max on US Screens7. Peter C. Kunze, Talking Trash with Tarantino: Auteurism, Aesthetics and Authority in Not Quite Hollywood8. Mark David Ryan, Australian Horror Movies and the American Market9. Amanda Howell, The Female Gothic Meets the Terrible Terrace House: Transnational Exchanges and the Suburban Australian Horror of The Babadook Part III. Here and There: Crossing Between Australian, US and International Cinemas10. Stephen Gaunson, American Cartel: Block Bookings and the Paramount Plan11. Jock Given, The Multiplex Era12. Jeannette Delamoir, “Zest to the Jaded Movie Palate”: Wallace Worsley, Scott Dunlap and The Romance of Runnibede (1928)13. Jerod Ra’Del Hollyfield, Defining Neverland: P. J. Hogan, J. M. Barrie, and Peter Pan in Post-Mabo Australia 14. Lesley Hawkes, The Great Gatsby: Telling National Iconic Stories Through a Transnational Lens