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Over and Over:Exploring Repetition in Popular Music '18

Julien, Olivier, Levaux, Christophe 　編

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発行年月	2018年02月
出版社／提供元	Bloomsbury
出版国	アメリカ合衆国
言語	英語
媒体	冊子
装丁	hardcover
ページ数／巻数	208 p., 39 bw illus
ジャンル	洋書／人文科学／芸術／音楽
ISBN	9781501324888
商品コード	1025295961
本の性格	学術書
新刊案内掲載月	2017年11月
商品URL	https://kw.maruzen.co.jp/ims/itemDetail.html?itmCd=1025295961

内容

From the Tin Pan Alley 32-bar form, through the cyclical forms of modal jazz, to the more recent accumulation of digital layers, beats, and breaks in Electronic Dance Music, repetition as both an aesthetic disposition and a formal musicological property has stimulated a diverse range of genres and techniques. After decades of riffs, loops, vamps, reiterated rhythmic patterns, pervasive harmonic formulae and recurring structural units in standardised song forms, the time came to give these notions the recognition they deserve in the study of popular music. Whether addressed from the angle of musicology, psychology, sociology or science and technology, Over and Over reassesses the complexity connected to notions of repetition in a variety of musical genres. This book will be the first edited volume on repetition in 20th- and 21st- century popular music. As such, it offers a multi-faceted view of the subject. The wide-ranging forms and use of repetition - from large repetitive structures to micro repetitions, and even to drones - are explored in relation to both specific and large-scale issues and contexts. Over and Over brings together a selection of original texts by leading authors in a field which is, as yet, little explored. Aimed at both specialists and neophytes, it aims to shed important new light on one of the fundamental phenomena of music of our times.

List of abbreviations and contractions List of musical examples, figures, and tables Acknowledgements List of contributors Preface Antoine Hennion (Princeton University and Centre de Sociologie de l'Innovation, USA) Introduction: Play it again (and again), Sam Olivier Julien (Paris-Sorbonne University, France) and Christophe Levaux (University of Liege, Belgium) Part I: Repetition as an aesthetic disposition 1. When the music stutters: notes toward a symptomatology Robert Fink (University of California, Los Angeles, Herb Alpert School of Music, USA) 2. Time and time again: repetition and difference in repetitive Anne Danielsen (University of Oslo, Norway) 3. Towards an alternative history of repetitive audio technologies Christophe Levaux (University of Liege, France) Part II: Issues of perception 4. Loops, memories and meanings Chris Cutler (Independent Scholar) 5. Machine possession: dancing to repetitive beats Hillegonda C. Rietveld (London South Bank University, UK) 6. Repetition and musical meaning. Anaphonic perspective in connection with the sonic experience of everyday life Danick Trottier (L'Universite du Quebec a Montreal, Canada) Part III: Repetition as a structuring device 7.From "sectional refrains" to repeated verses: the rise of the AABA form Olivier Julien (Paris-Sorbonne University, France) 8. Standard jazz harmony and the constraints of hypermeter: some thoughts on periodic forms and their phrase-rhythmic irregularities Keith Salley (The Shenandoah Conservatory, USA) and Daniel T. Shanahan (Louisiana State University, USA) 9. A psychological perspective on repetition in popular music Trevor de Clercq (Middle Tennessee State University, USA) and Elizabeth Hellmuth Margulis (University of Arkansas, USA) References Index

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