目次

Introduction: film policy in a globalised cultural economy  1. Regulating the global infrastructure of film labor exploitation  2. Hollywood, the MPAA, and the formation of anti-piracy policy  3. Living with Hollywood: British film policy and the definition of ‘nationality’  4. German film policy’s new horizons  5. ‘Why not make films for New York?’: the interaction between cultural, political and commercial perspectives in Swedish film policy 1963–2013  6. Film policy under globalization: the case of Mexico  7. The Chinese–Korean co-production pact: collaborative encounters and the accelerating expansion of Chinese cinema  8. Film policy in Japan – an isolated species on the verge of extinction?