In treating the topic of the landscapes of stylistics, this book provides a series of chapters which deal not only with physical landscapes but also with social, mental, historical portraits of places, people and society. The chapters demonstrate that even when an author's subject matter appears to be only physical descriptions, all texts always project a worldview, namely, an interpretation of the ideational content they present and the interpretation produces effects on the reader. Contents and effects are thus inseparable and their identification is consequently an eminently cognitive operation, for what analysis pinpoints is the thoughts, feelings and (often underlying) values of the emitter and the mental processes by which such cognitive states are created by the author and understood by the reader. Though most of the chapters have a cognitive basis, a wide range of methodologies are employed, including ecostylistics, offering cutting-edge theoretical approaches teamed up with close reading. A further crucial feature of this collection is the selection of non-canonical texts, ranging from lesser-known texts in English to significant works in languages other than English, all of which are characterised by important social themes, thus emphasising the importance of critical appreciation as a means of self-empowerment.