目次

1. Contextualising piracy, Steven Caldwell Brown and Thomas J. Holt, Section 1. Concepts, theories, frameworks: understanding digital piracy, 2. Digital piracy: What we know and don't know from a criminological perspective, Adam Bossler, 3. The Criminality of Digital Piracy: Is it a Pathway to More Serious Offending?, George Burruss and Cassandra Dodge, 4. Assessing the effect of copyright infringement on cultural participation: the case of recorded music, films and books, Juan Montoro-Pons, 5. Digital Piracy Through the Lens of Cultural and Non-Cultural Determinants, Mateja Kos Koklic, Monika, Kukar-Kinney, and Irena Vida, 6. DeLiberating the Information Commons: A Critical Analysis of Intellectual Property and Piracy, Kevin Steinmetz and Alexandra Pimentel, 7. The apathy of the modern music consumer: ‘I don’t care if they get paid’, Gary Sinclair, Section 2. Transitions: the impact of the digital revolution, 8. The social and applied psychology of engagement in music piracy, Amanda Krause and Steven Caldwell Brown, 9. The Effects of Cheap Streaming Services and Affluence on Internet Movie Piracy, Johnny Nhan, 10. The Times They Are A-Changin’: Digital Music Value in Transition from Digital Piracy to Streaming, Hyojung Sun, 11. Digital Piracy, New Media and Consumer Choice, Holly Tessler and Kenny Forbes, Section 3. Changes: addressing digital piracy, 12. Watch the Tapes: Music Piracy from the Practitioner Perspective, David Price, 13. Anti-piracy policies, online film circulation and on-demand culture: the Italian context between formality and informality, Valentina Re, 14. Digital Disruption and Disintermediation in Music Publishing Sector, Dennis Collopy, 15. Where do we go from here? Re-thinking the fundamentals about digital piracy, Steven Caldwell Brown and Thomas J. Holt