The Creative Critic:Writing as/about Practice '18
目次
Foreword Jane Rendell Introduction Orley and Hilevaara Section One: Manifesto (How) I Am for an Art Writing Susannah Thompson Lyric Theory PA Skantze Notitia, Trust, and Creative Research Iain Biggs Writing Without Writing: Conversation as Material Emma Cocker The Distracted Cyclist G D White Footnoting Performance Mike Pearson An extract from Asara and the Sea-Monstress: a Play with Theory Mojisola Adebayo Same Difference Nic Conibere Critical groundlessness: Reflections on embodiment, virtuality and Quizoola LIVE Diana Damian Martin A Conjuring Act in The Form of an Interview Augusto Corrieri Yoko Ono Fanfiction owko69 (Owen G. Parry) A Fugue State of Theatre Joe Kelleher Writing with fungi, contagious Taru Elfving Middleword One Peter Jaeger Section Two: Position (Where) The Blind & Deaf Highway Woman Undine Sellbach and Stephen Loo Writing about the Sound of Unicorns Salome Voegelin Far Stretch - Listening to Sound Happening Ella Finer Instructions for Literature and Life: Writing-With Landscape Performances of Joy Helene Frichot Thirteen Points, Expanded Kristen Kreider and James O’Leary Returning in the House of Democracy Brigid McLeer Dancing Architecture: Architect-Walking Cathy Turner Dolphin Square to MI6 Walk - produced by Disappearing, almost Phil Smith It Moves: reflections on walking as a practice of writing Mary Paterson In departures, not departing Tim Etchells Within the margarine of error: on performing Michael Basinski’s ‘The Germ of Creativity’ Chris Goode Elfie und Elsinore (fur Heidi) Hayley Newman Marking a Life Mitch Rose Middleword Two Maria Fusco Section Three: Beside-ness (Whom) Stains & Other Traces: Notebooks and Critical Practice Simon Piasecki An Actor’s Attempt at Sisyphus’ Stone: Memory, Performance and Archetype Goze Saner 81 Sentences for Squat Theater circa 1981 Lin Hixson and Matthew Goulish Language, Lips and Legacy: a pedlar’s life for me Tracy McKenna A Series of Continuous Accidents Rajni Shah The Construction of Self(ies) Joanne ‘Bob’ Whalley & Lee Miller The Path on the Floor and Other Uses of Hand-drawing Karen Christopher Searching for the ‘bandaged place’ Louise Tondeur The Catalogue for the Public Library of Private Acts Johanna Linsley Field Notes from a Choreographic Practice Lucy Cash K.Bae.Tre Douglas Kearney Middleword Three Timothy Matthews Afterword Jane Rendell
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