目次

Acknowledgments Introduction Katalin Cseh-Varga and Adam Czirak 　 Part I Geopolitics and Transnationalism of Art Production 01 Beyond "East" and "West" through "The Eternal Network": Networked Artists’ Communities as Counter-publics of Cold War Europe Roddy Hunter 02 Tactical Networking: The Yugoslav Performing and Visual Arts between East and West Miško Šuvaković 03 Connection with the World: Internationalism and New Art Practice in Yugoslavia Dietmar Unterkofler 04 Questioning the East: Artistic Practices and Social Context on the Edge Ileana Pintilie 　 Part II Locating the Second Public Sphere 05 Basements, Attics, Streets and Courtyards: The Reinvention of Marginal Art Spaces in Romania during Socialism Cristian Nae 06 Performing the Proletarian Public Sphere: Gender and Labour in the Art of Tomislav Gotovac Andrej Mirčev 07 Outside by Being Inside: Unofficial Artistic Strategies in the Former Czechoslovakia in the 1970s and 1980s Andrea Bátorová 08 From a Local to a National to a Transnational Public Sphere: The Emergence of Solidarity in Poland from a Theatrical Perspective Berenika Szymanski-Düll 09 Surveilling the Public Sphere: The First Hungarian Happening in Secret Agents’ Reports Kata Krasznahorkai 10 Performance Art in Latvia as Intermedial Appropriation Laine Kristberga 11 Escape into the Nature! The Politics of Melancholy in Czechoslovakian Performance Art Adam Czirak 　 Part III Facets of Gender in the Second Public Sphere 12 Gender, Feminism, and the Second Public Sphere in East European Performance Art Amy Bryzgel 13 Decision as Art: Performance in the Balkans Jasmina Tumbas 14 Communities of Practice: Performing Women in the Second Public Sphere Beáta Hock 15 Artistic Collaborations of Performing Women in the GDR Angelika Richter 　 Part IV Post-Socialist Performance 16 Socialist Performance Replaced: Re-enactment as a Critical Strategy in Contemporary East European Art Maja Fowkes and Reuben Fowkes 　 Index of works Index of names Subject index