目次

Introduction: Signification, Expression and Interactive Experience in Distance Communication.- Evolution of Networked Music Peformance and Telematic Art Performance.- Intercultural Tele-Improvisation: Multi-idiomatic Approaches.- Intercultural Tele-Improvisatory Performance in Action.- Towards a Theory of Tele-Improvisatory Collaboration.- Liminal Worlds: Perception and Reception in the Tele-Musical Experience.- What’s that Sound?  Culture, Significance and Interpretation of Electronic Sound.- Practical Applications: Intercultural Tele-Collaboration Across Interdisciplinary Fields and Contexts.- Concluding Remarks.- End Notes and Appendix.