目次

Acknowledgments Introduction: A Way In Part I: Foundational Logics Chapter 1. Performative Inquiry: Embodiment and Its Challenges Chapter 2. Writing Autoethnography: The Personal, Poetic, and Performative as Compositional Strategies Chapter 3. Performative Writing as Scholarship: An Argument, An Anecdote Chapter 4. Performative Writing: The Ethics of Representation in Form and Body Chapter 5. Writing into Position: Strategies for Composition and Evaluation Chapter 6. Pledging Personal Allegiance to Qualitative Inquiry Part II: Performance Chapter 7. A Paradigm for Performance Studies with James Vanoosting Chapter 8. Empathy: Some Implications of Social Cognition Research for Interpretation Study Chapter 9. Performance Studies: Meditations and Mediations Chapter 10. Performance Is… Chapter 11. Confessions of an Apprehensive Performer Chapter 12. Toward a Poetic Phenomenology of Performance with Lesa Lockford Chapter 13. Seductions Part III: Identity Chapter 14. The DEF Comedy Jam, bell hooks, and Me Chapter 15. My Body’s Placement: An Autoethnographic Account of Communicative Practice Chapter 16. Making My Masculine Body Behave Chapter 17. Jarheads, Girly Men, and the Pleasures of Violence Chapter 18. A Personal History of Lust on Bourbon Street Part IV: Everyday Life Chapter 19. Remembering Vietnam Chapter 20. The Critical Life Chapter 21. The Academic Tourist: An Autoethnography Chapter 22. Always Dying: Living Between Da and Fort Chapter 23. For Father and Son: An Ethnodrama with No Catharsis Chapter 24. Remains Chapter 25. The End of an Academic Career: The Desperate Attempt to Hang On and Let Go