Beggars Banquet and the Rolling Stones' Rock and Roll Revolution (Ashgate Popular and Folk Music Series)
目次
Table of Contents Introduction: Russell Reising (University of Toledo): "Just Trying to Do this Jigsaw Puzzle" Part I: What Can Poor Boys Do, Except to Sing (and Play and Produce) in a Rock ‘’n" Roll Band? John Covach (University of Rochester": "Jimmy Miller, The Rolling Stones, and Beggars Banquet." Steven Baur (Dalhousie University, Canada): "And the Drummer, He’s So Shattered": The Percussive Core of Beggars Banquet." Akitsugu Kawamoto (Ferris University, Japan): "And the Bass Player, He Looks Nervous": Progressive Elements in the Bass Lines of Beggars Banquet" Jim LeBlanc (Cornell University): "Too Much is Never Enough: The Decline of Brian Jones" Stephen D. Christman (University of Toledo): "’Five Strings, Three Notes, Two Fingers, One Asshole’: Keith Richards’s Use of Open-G Tuning" James McGrath (Leeds Beckett University): "Doctor, I’m Damaged": Medical and Cultural Mythologies of Nicky Hopkins and the Rolling Stones" Part II: "What’s Puzzling You is the Nature of My Game": Some Ideas Ruth Tallman (Hillsborough Community College): "Condemned to be Free: The Frightening Uncertainty of a World Without Morality" Norma Coates (Western University, Canada): "How Can A Smart Chick Like Me Listen to the Stones and Not Throw Up? An Exploration of Beggars Banquet and Female Sexuality Brian Goodman, "Woo Woooo: Beggars Banquet’s New Aesthetic" Part III: Some Songs Kimberly Mack (University of Toledo): "’Please Allow Me to Introduce Myself’: Autobiographical Blues Self-Fashioning in ‘Sympathy for the Devil’" Peter Mills (Leeds Metropolitan University): "Ghost At The Banquet : the Enigma of 'Child Of The Moon'" Jacopo Conti (University of Turin): "The "Old" and "New" Rolling Stones: Aural Staging and Chord Changes in "Street Fighting Man" Part IV: The Rolling Stones, Live if you Want it. Steve Waksman (Smith College): "On the Road to Altamont: The Rolling Stones on Tour, 1969" Kimi Karki (University of Turku, Finland): "’I've Been Around for a Long, Long Year’: The Spectacular Evil in the Rolling Stones’ Live Performance Career’
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