【ジンバブエのムビラ音楽をアーカイブでたどる】
Tracing the Mbira Sound Archive in Zimbabwe H 144 p. 18
Gimenez Amoros, Luis 著
目次
Introduction PART ONE: RECONSIDERING THE COLONIAL ARCHIVE Chapter One: The mobilization of Shona musical identity during colonial times Chapter Two: Reconsidering the colonial creation of Shona musical identity in the sound archive Chapter Three: An attempt to link colonial and postcolonial narratives in the sound archive: Tracey´s "Shona chord cadence" and Afropolitanism beyond colonial borders Chapter Four: Colonial and postcolonial interpretations of the Shona-mbira recordings from the International Library of African Music (ILAM) PART TWO: RECONSIDERING THE POST-COLONIAL ARCHIVE Chapter Five: The centralisation of Great Zimbabwe and the multiple versions of chaminuka in the sound archive Chapter Six: Chimurenga music and the sound archive: The homogenisation of Shona mbiras Chapter Seven: The third chimurenga for the land reform as another reflection of southern African Afro-politanism versus customary laws PART THREE: THE REVITALISATION OF THE SOUND ARCHIVE IN ZIMBABWE Chapter Eight: Revitalising the repertoire through Zimbabwean musician Chapter Nine: The sound repatriation in the place of the recordings Chapter Ten: Curricula transformation in the African academy through the sound archive References Discography Filmography Interviews Index
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