目次

Images and Human Rights.- Part 1: Technologies.- 50 Years of Documentation: A Brief History of the Audio-Visual Documentation of the Israeli Occupation.- Drones, Camera Innovations and Conceptions of Human Rights.- A Convergence of Visuals: Geospatial and Open Source Analysis in Human Rights.- The Rise of GEOINT: Technology, Intelligence and Human Rights.- Technology’s Continuum: Body Cameras, Data Collection and Constitutional Searches.- Part 2: Platforms.- Simon Srebnik: Narratives of a Holocaust Survivor.- Re-archiving Mass Atrocity Records by Involving Affected Communities in Postwar Bosnia and Herzegovina.- Communicating Justice in Film: The Limitations of an Unlimited Field.- Photography as a Platform for Transitional Justice: Peru’s Case.- Sexual Violence in the Field of Vision.- Art and Human Rights in the Constitutional Court of South Africa.- Part 3: Agents.- A Change of Perspective: Aerial Photography and “the Right to the City” in a Palestinian Refugee Camp.- Contested Visualities: Courage and Fear in the Portrayal of Rio de Janeiro’s Favelas.- Ubiquitous Witnessing in Human Rights Activism.- Answering the Smartphones: Citizen Witness Activism and Police Public Relations.- How Newsrooms Use Eyewitness Media.