目次

Foreword Randy Martin Preface Mark Franko Introduction Gay Morris, Re-conceptualizing Time, Historical Time, and the Time of Interpretation André Lepecki, Theory’s moves Chapters 1. Writing for the Body: Notation, Reconstruction, and Reinvention in Dance 2. History/Theory -- Criticism/Practice 3. From Croce’s Critical Condition to the Choreographic Public Sphere 4. Splintered Encounters: The Critical Reception of William Forsythe in the United States, 1979-1989 5. Archeological Choreographic Practices: Foucault and Forsythe 6. Figurae: Re-translating the Encounter between Peter Welz, William Forsythe and Francis Bacon 7. Dance and Figurability 8. Can We Inhabit a Dance? Reflections on Dancing the "Bauhaus Dances" in Dessau 9. The Readymade as Movement: Cunningham, Duchamp, and Nam June Paik’s Two Merces 10. Dance as Sign and Unruly Corporeality in Pasolini’s Film and Theory 11. The Dancing Gaze Across Cultures: Kazuo Ohno’s Admiring La Argentina 12. Bausch and The Symptom 13. The Quarrel of the Queen and the Transvestite: Sexuality, Class and Subculture in Paris is Burning 14. Dance, the De-materialization of Labor, and the Productivity of the Corporeal 15. In the Company of Donya Feuer: an Interdisciplinary Method 16. In Conversation: Alessandra Nicifero with Mark Franko Bibliography Publications Performance History Choreography, Performance Index