内容

目次

Foreword.- Preface.- Acknowledgements.- Author Biographies.- Part 1: History.- Between Worshipers, Priests and the Nuke: an Introduction to the Cultural and Social History of Early Computer Art.- A Million Millennial Medicis.- Structure in Art Practice.- From Zombies to Cyborg Bodies.- From Zombies to Cyborg Bodies.- Algorithmic Fine Art.- The Computer: an Intrusive Influence.- Digital Art in Brazil.- Part 2: Environments.- New Directions for Art and Technology.- An Observer’s Reflections: The Artist Considered as Expert.- Realizing Digital Artworks.- Being Supportive.- Working with Artists.- Demaking the High Heeled Shoe.- The Artist as Digital Explorer.- Part 3: Research.-  Creating Graspable Water in 3D Space.- Contemporary Totemism.- Integrating Computers as Explorers in Art Practice.- Hybrid to Simulated Invention.- Playing with Rhythm and Technology.- Differentiating Interaction.- Acknowledging Perimeters for Technology and Art.- localStyle>forward.- Chance, Poetry and Computational Art: The Visual Theogonies.- Self-Portraying an Absence.- Part 4: Collaboration.- Making Light Sculptures in Suspended Space: A Creative Collaboration.- Drawing Spaces.- Collaborative Practice in Systems Art.- Creativity, Technology and Collaboration:Towards Hoped-for and Unexpected Serendipities.- Collaborative Creation in Interactive Theatre .- Collaboration, the Color Organ and Gridjam.- Creating Interactive Art: Conceptual and Technological Considerations.- Post Fail: IOCOSE Collaborative Failures.- Speculative Apparatuses: Notes on an Artistic Project.- Index