Art, Creativity, and Politics in Africa and the Diaspora 1st ed. 2018(African Histories and Modernities) H XIV, 335 p. 15 illus.
目次
1. Introduction2. Rewriting Algeria: Transcultural Kinship and Anticolonial Revolution in Kateb Yacine's L'Homme aux sandales de caoutchou3. Revolution and Revolt: Identitarian Space, Magic, and the Land in Decolonial Latin American and African Writing4. Family Politics: Negotiating the Family Unit as a Creative Force in Chigozie Obioma's The Fishermen and Ben Okri's The Famished Road5. Auteuring Nollywood: Rethinking the Movie Director and the Idea of Creativity in the Nigerian Film Industry6. Nollywood in Rio: An Exploration of Brazilian Audience Perception of Nigerian Cinema7. Re-Producing Self, Community, and "Naija" in Nigerian Diaspora Films: Soul Sisters in the United States and Man on the Ground in South Africa8. A Single Story: African Women as Staged in US Theatre9. Silêncio: Black Bodies, Black Characters, and the Black Political Persona in the Work of the Teatro Negro Group Cia dos Comuns10. New Orleans: America's Creative Crescent11. The Hashtag as Archive: Internet Memes in Nigeria's Social Media Election12. Black Creativity in Jamaica and Its Global Influences: 1930–198713. Ethics and Aesthetic Creativity: A Critical Reflection on the Moral Purpose of African Art14. From Saartjie to Queen Bey: Black Female Artists and the Global Cultural Industry
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