目次

1.      1. Introduction 1.1  Habit 1.2  Intuition 1.3  Loss 1.4  Chapter Summary 2.      2. The Intuition of Loss in Beckett’s Radio Plays 2.1  Intuiting Loss in the audience’s mind-space 2.2  Blind Faith 2.3  From the periphery to an intuitive center   3.     3. Film and the Ecstatic Spectator 3.1 The Influence of Sergei Eisenstein 3.2 From Habit Body to Ecstatic Being 3.3 To have done with the judgement of ‘God’   4.      4. Time out from the World: Respite in Beckett’s Stage plays 4.1 Stratified Organism and Kantian Time 4.2 Internal Durée 4.3 Respite   5.      5. The Disengaging Beckettian Television Audience and the Monument to Loss 5.1 The Disengaging Beckettian Audience 5.2 The Aesthetic of Loss and the Audience’s Collective Amnesia 5.3 Empathy   6.      6. Conclusion