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21 |
STOKES, MYRA |
The Embarcation of the Hero: A Topos and Its Use in Patience |
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EADIE, JOHN |
Chaucer's Merchant's Tale Reviewed |
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TAKAMIYA, TOSHIYUKI |
Caxton's Malory Re-edited |
|
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MATSUNAMI, TAMOTSU |
The Middle English Verbs of Motion |
|
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TAJIMA, MATSUJI |
The Gerund in Chaucer, with Special Reference to the Development of its Verbal Character |
|
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KAMACHI, MITSURU |
'Lente Currite Noctis Equi': Doctor Faustus and Its Audience |
|
|
TAIRA, ZENSUKE |
The Tradition of the Plain Style in English Renaissance Lyrics |
|
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HAYASHI, TETSURO |
Some Notes on the Inkhornterm Controversy |
|
|
KATSURADA, SHIGETOSHI |
Carson McCullers' "Eye" -- Clock without Hands as Main Study -- |
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|
ARMOUR, ANDREW |
Analysing an Author's ldiolect: Murasaki Shikibu |
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YAMANAKA, KEI I. |
Alexander Zhalkovsky, Themes and Texts: Towards a Poetics of Expressiveness |
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23 |
HARUTA, SETSUKO |
The Women in Bēowulf |
|
OGURA, MICHIKO |
Old English 'Impersonal Periphrasis', or the Construction 'Copula + Past Participle' of 'Impersonal' Verbs |
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MURPHY, COLETTE |
Henryson's Mice: Three Animals of Style |
|
|
YAMADA, AKIHIRO |
The Printing of King James I's The True Lawe of Free Monarchies with Special Reference to the 1603 Editions |
|
|
ITO, HIROYUKI |
The Language of The Spectator: As Seen in the Movement of English Prose towards the Rise of the Novel |
|
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YAMAMOTO, SHOH |
Hemingway's Macomber Story: Its Structure and Meaning |
|
|
LEISI, ERNST |
Zum Thema sozio-kulturelle Semantik |
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24 |
IWASAKI, HARUO |
A Few Notes on the Vocabulary of Lazamon's Brut |
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BURNLEY, DAVID |
Courtly Speech in Chaucer |
|
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TORTI, ANNA |
Mirroring in Hoccleve's Regement of Princes |
|
|
SMITH, JEREMY J. |
Some Spellings in Caxton's Malory |
|
|
McMASTER, GRAHAM |
Harry Richmond: Meredith's Unwritten Attack on Victorian Legitimacy |
|
|
WIENOLD, GöTZ |
Nachricht und Erzählung |
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25 |
GROSSE, SIEGFRIED |
Der wortwise Tristan |
|
HOFFMANN, WERNER |
Gottfrieds von Straßburg Tristan neuhochdeutsch |
|
|
OKUDA, HIROKO |
Obedience or Disobedience? -- Medieval Dramatizations of the Fall of Man -- |
|
|
HIGUCHI, MASAYUKI |
On the Language of The Owl and the Nightingale: How Language Becomes a Weapon for a Verbal Duel |
|
|
NAKAO, YUJI |
Does Malory Really Revise His Vocabulary? -- Some Negative Evidence -- |
|
|
YAMAGUCHI, HIDEO |
A Short Descriptive Study of Dialectal Variations in the Language of Walter Hilton's Scala Perfectionis, or the Scale of Perfection |
|
|
BRADBROOK, M. C. |
What is 'Shakespeare'? |
|
|
KAWACHI, KEIKO |
Oscar Wilde and Tragicomedy: On Wilde's Unfinished Plays1.25/26 |
|
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USHIGAKI, HIROTO |
Raymond P. Tripp, Jr., More about the Fight with the Dragon: Beowulf 2208b-3182, Commentary, Edition, and Translation. Lanham: University Press of America, 1983, x+480pp. |
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27 |
STANLEY, E. G. |
Parody in Early English Literature |
|
LOCHERBIE-CAMERON, M. |
Wisdom as a Key to Heroism in Judith |
|
|
YAMAKAWA, KIKUO |
ME Non-prepositional Adverbial 'his lyf ' as Contrasted with 'in his lyf ' and '(in) al his lyf ' |
|
|
RUPP, HEINZ |
Einige Gedanken zur Geschichte der deutschen Sprache und zur Entstehung der neuhochdeutschen Schriftsprache |
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28 |
FISIAK, JACEK & MICHIO MASUI |
In Memoriam Professor Margaret Schlauch 1898-1986 |
|
BLAKE, N. F. |
The Manuscripts and Textual Tradition of the Canterbury Tales Again |
|
|
MORSE, RUTH |
Chaucer's Man of Law in Sequence |
|
|
EMBREE, DAN |
Middle English Complaint and Satire: An Essay in Reclassification |
|
|
AMODIO, MARK C. |
La amon's Anglo-Saxon Lexicon and Diction |
|
|
AHRENS, RÜDIGER |
The Modern Poet in View of Nature: Ted Hughes' "Gnat-Psalm" |
|
|
HUNDSNURSCHER, FRANZ |
Über den Zusammenhang des Gebrauchs der Wörter. Eine methodologische Untersuchung anhand des deutschen Adjektivs GRÜN |
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29 |
ELLIOTT, R. W. V. |
Landscape and Language in Middle English Alliterative Poetry |
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TAKADA, YASUNARI |
The Brooch of Thebes and the Girdle of Venus: Courtly Love in an Oppositional Perspective |
|
|
SHIGEO, HISASHI |
Troilus and Criseyde as a Play of Love -- A Defense of Criseyde -- |
|
|
GILLMEISTER, HEINER |
Chaucer's Pardoner's Tale as a Poetic Sermon |
|
|
EDWARDS, A. S. G. |
The Text of Chaucer's House of Fame: Editing and Authority |
|
|
FICHTE, JÖRG O. |
Chaucer's Work in German Literary Scholarship to 1914 |
|
|
HAAS, RENATE |
From the Vormärz to the Empire: The Socio-Political Context of the Golden Age of German Chaucer Scholarship |
|
|
COLLETTE, CAROLYN P. |
Chaucer and Victorian Medievalism: Culture and Society |
|
|
HUGHES, GEORGE |
Myth and Poetic in the Work of Seamus Heaney |
|
|
NAGAWARA, MAKOTO |
"A True Story" and Its Manuscript: Mark Twain's Image of the American Black |
|
|
KAWAMOTO, KOJI |
At Distance I Gaze: "Love" in Snow Country |
|
|
WOESLER, WINFRIED |
Aufgaben der Droste-Philologie: Erläutert am Beispiel der Edition des Geistlichen Jahres |
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|
SCHERNER, MAXIMILIAN |
Wörter im Text. Überlegungen zur Verstehenssteuerung durch Sprache |
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31 |
TERASAWA, JUN |
Metrical Constraints on Old English Compounds |
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GÄRTNER, KURT |
Überlieferungsgeschichte und Textkritik mittelhochdeutscher Versepen aus der Zeit um 1200 |
|
|
GORDON, JAN B. |
Fin-de-Siècle Idols and Idylls: The Totalization of the Marginal |
|
|
DOTY, KATHLEEN |
Dialogue, Deixis, and Narration in a Dramatic Adaptation |
|
|
HARWEG, ROLAND |
Personenperspektivik und Personenbewegung in Klaus Manns Wendepunkt-Prolog |
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32 |
BRINKMANN, HENNIG |
Dichterbegegnung im deutschen Mittelalter -- für Jean Fourquet zum 90. Geburtstag -- |
|
MEHL, DIETER |
Piers Plowman and lntertextuality |
|
|
MINNIS, A. J. |
Amor and Auctoritas in the Self-Commentary of Dante and Francesco da Barberino |
|
|
MÜLLER, ULRICH |
Neidhart: Das Salzburger Editionsprojekt. Einführung, Grundsätze, Textproben |
|
|
TATSUMI, TAKAYUKI |
Tom, Huck, Satan: The Logic of Innocence in The Mysterious Stranger |
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33 |
HARDY, BARBARA |
Tragedy across the Genres |
|
LUCAS, PETER J. |
The Setting in Brittany of Chaucer's Franklin's Tale |
|
|
MROCZKOWSKI, PRZEMYSŁAW |
Two Christian Visions of Medieval Europe: A. Gołubiew and H. Malewska |
|
|
HOLLAND, PETER |
Evading King Lear |
|
|
IRELAND, KENNETH R. |
Chronotope in Hawthorne: Bakhtin and The Scarlet Letter |
|
|
WIENOLD, GÖTZ |
Vergleichende Textlinguistik Deutsch-Englisch, Deutsch-Japanisch |
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34 |
ZIOLKOWSKI, JAN M. |
"Walahfrid's Poem about a Man Carried to Heaven by an Eagle: Parodic Vision or Serious Illusio?" |
|
KLEINSCHMIDT, HARALD |
Architecture and the Dating of Beowulf |
|
|
OGAWA, HIROSHI |
Stylistic Features of Old English Apollonius of Tyre |
|
|
OGURA, MICHIKO |
Displese yow and Displeses yow: OE and ME Verbs Used Both 'Impersonally' and Reflexively |
|
|
GANlM, JOHN M. |
Forms of Talk in The Canterbury Tales |
|
|
BLAKE, N. F. |
Modernising Language and Editing Shakespeare |
|
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35 |
HENDRICKS, WILLIAM O. |
Poetics and Quotidian Verbal Art |
|
LUCAS, ANGELA M. |
The Knight in Chaucer's Wife of Bath's Tale |
|
|
KENNEDY, EDWARD DONALD |
The Text of the Alliterative Morte Arthure: The Disappearance of Sir Feltemour |
|
|
SCATTERGOOD, JOHN |
The Early Annotations to John Skelton's Poems |
|
|
KAWAMOTO, KOJI |
The Silent Cries of Cicadas: The Poetics of Haiku |
|
|
HIGAYA, MIHOKO |
Meredith's Influence in Sōseki's Kusamakura |
|
|
KISHIDA, TOSHIKO |
A Vision of a Paralysed Modernist: Some Aspects of the Works of ltō Shizuo |
|
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|
36 |
SCAHILL, JOHN |
The Friar, the Maid, the Writer and the Reader |
|
HOAD, T. F. |
Chaucer's Language: On What is Possible in Stylistic Analysis |
|
|
MUKAI, TSUYOSHI |
Stansby's 1634 Edition of Malory's Morte: Preface, Text, and Reception |
|
|
HARA, EIICHI |
Bleak House and the Reign of Metaphor |
|
|
SHERBO, ARTHUR |
More on Walter William Skeat |
|
|
OZAWA, HIROSHI |
"[A]h Mephastophilis": Empson and Ethics of Textual Criticism |
|
|
ROBINSON, PETER |
Contracts and Prophets |
|
|
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||
|
37 |
ROWLAND, BERYL |
The Artificial Memory, Chaucer and Modern Scholars |
|
BOFFEY, JULIA |
The Lyrics in Chaucer's Longer Poems |
|
|
THOMPSON, JOHN J. |
Chaucer's An ABC in and out of Context |
|
|
HARDMAN, PHILLIPA |
Ars Celare Artem: Interpreting the Black Knight's "Lay" in Chaucer's Book of the Duchess |
|
|
ONO, SHIGERU |
Ambiguity in Malory's Language with Reference to Lancelot |
|
|
FÜRNKÄS, JOSEF |
Robert Walsers literarische Schweiz |
|
|
HARWEG, ROLAND |
Sprachstruktur und Übersetzung Der erste Satz von Thomas Manns Zauberberg-Vorsatz auf Deutsch und auf Japanisch |
|
|
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|
38 |
MORSE, RUTH |
Absolute Tragedy: Allusions and Avoidances |
|
FIELD, PETER |
The Earliest Texts of Malory's Morte Darthur |
|
|
WYNNE-DAVIES, MARION |
Spottis blak: Disease and the Female Body in The Testament of Cresseid |
|
|
SHOJI, KUNIKO |
The Failed Hero: Mordred, Gawain's Brother |
|
|
TAKAHASHI, YUMIKO |
Narrative Structures of Johannes Pauli's Exempla for Sermons |
|
|
BRADSHAW, GRAHAM |
High and Low: Shakespeare's Dramatic Rhymes |
|
|
WILSON, BRENDAN |
"He thought it a very good Philosophy": Moral Taxonomy in Bleak House |
|
|
HUGHES, GEORGE |
Louis MacNeice's English Choice |
|
|
EROMS, HANS-WERNER |
Das Verbalpräfix ge- im Spätmittelhochdeutschen |
|
|
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|
39 |
Special Issues: Medievalism and Romanticism, 1750-1850 |
|
|
WORKMAN, LESLIE J. |
Medievalism and Romanticism |
|
|
BAINES, PAUL |
"All of the House of Forgery": Walpole, Chatterton, and Antiquarian Commerce |
|
|
RICHEY, WILLIAM |
The Neoclassical Gothicism of Blake's Early Poetry and Art |
|
|
SIMMONS, CLARE A. |
Medievalism and the Romantic Poet-Editor in Scott's Marmion |
|
|
GAMER, MICHAEL |
Confounding Present with Past: Romanticism, Lyrical Ballads, and Gothic Romance |
|
|
NIKOLOPOULOU, ANASTASIA |
Medievalism and Historicity in the English Gothic Melodrama: Maturin's Bertram; or, the Castle of St.Aldobrand |
|
|
FISHER, JUDITH L. |
The Canterbury Tales in Charles Knight's Old England: Conservative Reform in Popular Publishing |
|
|
CONNELLY, FRANCES S. |
Ruskin's True Griffin: The Relationship of Medievalism to Primitivism and the Formation of an Alternate Aesthetic |
|
|
JENSON, DEBORAH |
Monumental Wounds: The Musée des Monuments Français (1795-1816) and the Revolutionary Archaeology of French Romantic Medievalism |
|
|
HÄRTER, ANDREAS |
The Ring of Longing: A View on Friedrich Schlegel's Medievalist Poetry |
|
|
COOPER, BARBARA T. |
Creating a Royal Stand-in: History, Politics and Medievalism in a French Restoration Tragedy |
|
|
WUNDERLICH, WERNER |
The Invented Poet: Scheffel's Literary Imagination of the Nibelungenlied Author |
|
|
O'NEIL, MARY ANNE |
Classical Terror/Gothic Terror: Victor Hugo's Quatrevingt-treize |
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