Aldred's Wanderings between Literal and Free Renderings: Some Manuscript Evidence

New Compositors at Work in Caxton's Malory

Courting Disaster: Hunting and Wooing in Shakespeare's Venus and Adonis

The Japanese Actionist Literary Movement and the Spark of the Fascist Sublime

Electrical Science and Della Cruscan Poetics in the 1790s

Keats and the Sociability of Idle Contemplation

British Institutions, Literary Production and National Glory in the Romatic Period

The Artistry of Connection: Shelleyan Ottava Rima in "Hymn to Mercury" and "The Witch of Atlas"

P. B. Shelley, terza rima, and Italy: Con-fusion of Voices, Persons, and Poetic Forms

Naming the Unnameable: Monstrosity and Personification in the First Japanese Translation of Frankenstein and its Illustrations

British Romanticism in Classical Chinese: The Pastoral in Natsume Soseki's Kanshi

COLOURS, HUES, SHADES, AND TINTS: how subtle were the Anglo-Saxons when they recorded what they saw?

Wonders of the East and Natural History

Rationalising Alterity: Medieval Welsh Crusading Discourse

Scribes, Sources, and Readers: Using a Digital Edition to Develop Understanding of the Beowulf Manuscript

Middle English Verse Romances: Manuscripts and Authorship

Saint Aethelthryth of Ely and the Making of a National Saint in a Fifteenth-Century South English Legendary Manuscript

"Here Sir Gawayne Slew Sir Vwayne His Cousyn Germayne": Field's Alteration on Malory's Morte Darthur

Four Men in a Boat: Dryden, D'Avenant, Shadwell, Locke and The Tempest

"Y'are welcome to the downfal of the Stage": Charles Killigrew and the Demise of the King's Company, 1677-1682

"Armed with the tomahawk and scalping-knife": William Kenrick versus Samuel Johnson

Two Ways of Being Wise: Shakespeare and the Johnsonian Montaigne

Shakespeare's "Scenes of Enchantment" and Johnson's Criticism

Representing Female Sexuality on the Victorian Stage: William Poel's 1892 Production of John Webster's The Duchess of Malfi

Coleridge, Edward Thomas and Englishness: Poetry of Contemplation

Iris Murdoch's Coleridge: Between Violence and Contemplation

Contemplation as Philosophical Practice: "reason in the sphere of the understanding"

Contemplation as a Mode of Knowing: Leavis and Literary Analysis

Contemplating Genius: Coleridge on Shakespeare

Coleridge: Walking, Contemplation, Writing

Walking and Contemplating in the Magnetic Field: Thoreau's "Walking" and Coleridge's Polar Logic

Sharon Turner, a Historian of Anglo-Saxon England and Beowulf

The Brothers Grimm and Anglo-Saxon Language and Poetry

Coedmon after Junius: Three Nineteenth-Century Editorial Encounters

Anna Gurney: The Unknown Victorian Medievalist

The Newly-Found Kemble Notebook and an Old English Hildebrandslied: A Mirror of the New Philology in the 1830s

Oswald Cockayne (c.1808-1873): Clerk in Orders, Schoolmaster, Scholar

News from Eastern Lands on Northern Languages: Notes on a Japano-Anglo-Saxon Library

A POET AND A KING

Pronoun Retention in Old and Middle English Relative Clauses

Notes on the Additions to The Spanish Tragedy (1602)

Edward III and Statistical Attribution Studies

A Devil Monk's Prophecy and the Archbishop's Encomium: Collaborative Representations of Witchcraft in Henry VIII

The Most "Novelistic" and Lyrical of Emotions: Jealousy and Narrative-Poetic Interplay in Robert browning's "Andrea del Sarto"

Charlemagne, the Idol of Cadiz and Twelfth-Century Political Prophecy

William Bonde's Dyrectory of conscyence and Pylgrimage of perfection: A 'co-ordinated programme of publication' at Syon Abbey

William Caxton and 'Englishing' the Legenda aurea

Syon Abbey: Writing for the Faithful

Textual Cabinets of Curiosities: The Culture of Collecting in Early Modern English Texts

Shame in English Culture from Shakespeare to Jane Austen

Penguin and the "Shipwrecked Malory Project"

Provenance revisited

Reconceptualizing The Nuneaton Codex: Cambridge FitzWilliam Museum, McClean 123

The curious case of a de Worde edition in the Morgan Library & Museum

The last abbots' books: Tewkesbury and Hailes

A mendicant pharmacopeia?: Robert Edward Hart's copy of the 1485 Gart der Gesundheit

Some early collectors and owners of Samuel Johnson's books and manuscripts

Samuel Johnson's Rasselas: two presentation copies

Provenance as poetic faith: John Payne Collier and accounts of literary discovery

‘Scraps of insignificant scribbling’: The Rev. Dr. Thomas Raffles and a lost book from the library of Lady Anne Clifford, Countess of Pembroke

The Mansbridge copy of the Cambridge edition of Baskerville's Bible

On the cusp of change: The 1969 Bibliographical Society Gold Medal award

Strength in Numbers: The Beinecke and Takamiya Collections Together

A Small Didactic Florilegium in MS Takamiya 15

A Bird Psalter Fragment in the Beinecke Takamiya Collection

The Mind of a Collector: Patterns, Themes and Takamiya MS 133

Experimenta, compilation and construction in two medieval books

Beinecke 494 and Late Medieval Chronicle Readers in London

Love Reading?

Manuscripts Copied from Printed Books now in the Beinecke Library

Middle English Scribes and Guildhall Clerks: A Reassessment

Teaching Old Dictionaries New Tricks: Using Digital Resources to Track the Old English Lexicon

The Royal Psalter: Reading the Whole Book

Lady Æthelflæd and the Danelaw in the West Saxon Judith

To die, to be dead, to be lifeless or unliving, and to be killed in Old and Early Middle English

Parentheses in Old English Poems

Ornaments to Dazzle the Ear: Hypermetric Verses in the Old English Dream of the Rood and Judith

The Middle English Romance Richard Coer de Lyon and Its Use of Binomials

The Bestiary of Conquest in Richard Coer de Lyon

Old English Rejoice Verbs. Derivation, Grammatical Behaviour and Class Membership

Introduction: 19th Century Visual Culture in Britain and Japan

“Truth and Nature”: Greening the Lake District and Championing Richard Wilson in Charles Dibdin’s Observations on a Tour (1802)

The Curious Visual Representations of the Dance of Death

Anglo-Japanese Visual Encounters in 1889: Kipling, Alfred East and the Frankenstein Illustrators

Afterword

Jealous Dynamics: Jealousy and Narrative-Lyric Interplay in the Victorian Verse Novel

Making a Self of the Other: Thomas De Quincey’s Oriental-Phobia and the Anxiety of Self-Representation

Making Malory “Readable” in the Victorian Period: Frederick James Furnivall and Sir Edward Strachey

Both Exquisite and Grotesque: Oscar Wilde and the Aesthetics of Evolution

Cadwaladr’s Prophecy upon Henry Tudor: “but as a Conquerour come forth thy self”

Le Morte Darthur in Fifteenth-Century European Book History

Malory’s Phraseology: A Preliminary Attempt of Analyzing E-texts Based on Field (2017)

Sir Gawain and the Green Knight in Malory’s Template: “Finding Time for Romance” in Modern Arthuriana

Title matters: From Caxton to Joseph Haslewood; colophons, titles, and editions of Malory’s Morte Darthur

Epic for Man’s Spiritual Navigation

Old Norse and Old French Borrowings as Non-alliterating Words with special reference to Laӡamon’s Brut