内容

目次

Notes on Contributors. Acknowledgments. Introduction. Richard C.Moreland. Part I: Contexts:. 1. A Difficult Economy: Faulkner and the Poeticsof Plantation Labor: Richard Godden (University of Sussex). 2. "We're TryingHard as Hell to Free Ourselves": Southern History and Race in the Making ofWilliam Faulkner's Literary Terrain: Grace Elizabeth Hale (University ofVirginia) and Robert Jackson (University of Virginia). 3. A Loving Gentlemanand the Corncob Man: Faulkner, Gender, Sexuality, and The Reivers: AnneGoodwyn Jones (University of Mississippi). 4. "C'est Vraiment Degueulasse":Meaning and Ending in A bout de souffle and If I Forget Thee, Jerusalem:Catherine Gunther Kodat (Hamilton College). 5. The Synthesis of Marx andFreud in Recent Faulkner Criticism: Michael Zeitlin (University of BritishColumbia). 6. Faulkner's Lives: Jay Parini (Middlebury College). Part II:Questions:. 7. Reflections on Language and Narrative: Owen Robinson(University of Essex). 8. Race as Fact and Fiction in William Faulkner:Barbara Ladd (Emory University). 9. "Why Are You So Black?" Faulkner'sWhiteface Minstrels, Primitivism, and Perversion: John N. Duvall (PurdueUniversity). 10. Shifting Sands: The Myth of Class Mobility: Julia Leyda(Sophia University, Tokyo). 11. Faulkner's Families: Arthur F. Kinney(University of Massachusetts). 12. Changing the Subject of Place in Faulkner:Cheryl Lester (University of Kansas). 13. The State: Ted Atkinson (AugustaState University). 14. Violence in Faulkner's Major Novels: LotharHonnighausen (University of Bonn). 15. An Impossible Resignation: WilliamFaulkner's Post-Colonial Imagination: Sean Latham (University of Tulsa). 16.Religion: Desire and Ideology: Leigh Anne Duck (University of Memphis). 17.Cinematic Fascination in Light in August: Peter Lurie (University ofRichmond). 18. Faulkner's Brazen Yoke: Pop Art, Modernism, and the Myth ofthe Great Divide: Vincent Allan King (Black Hills State University). PartIII: Genres and Forms:. 19. Faulkner's Genre Experiments: Thomas L. McHaney(author). 20. "Make It New": Faulkner and Modernism: Philip Weinstein(Swarthmore College). 21. Faulkner's Versions of Pastoral, Gothic, and theSublime: Susan V. Donaldson (College of William and Mary). 22. Faulkner,Trauma, and the Uses of Crime Fiction: Greg Forter (University of SouthCarolina). 23. William Faulkner's Short Stories: Hans H. Skei (University ofOslo). 24. Faulkner's Non-Fiction: Noel Polk (Mississippi State University).25. Faulkner's Texts: Noel Polk (Mississippi State University). Part IV:Sample Readings:. 26. "By It I Would Stand or Fall": Life and Death in As ILay Dying: Donald M. Kartiganer (University of Mississippi). 27. Faulkner andthe Southern Arts of Mystification in Absalom, Absalom!: John Carlos Rowe(University of Southern California). 28. "The Cradle of Your Nativity": Codesof Class Culture and Southern Desire in Faulkner's Snopes Trilogy: EvelynJaffe Schreiber (George Washington University). Part V: After Faulkner:. 29."He Doth Bestride the Narrow World Like a Colossus": Faulkner's CriticalReception: Timothy P. Caron (California State University). 30. Faulkner,Latin America, and the Caribbean: Influence, Politics, and AcademicDisciplines: Deborah Cohn (Indiana University). 31. Faulkner's Continuance:Patrick O'Donnell (Michigan State University). Index