内容

目次

Introduction; 1. "Everybody's Zora": Visions, Setting, and Voice in DustTracks on a Road; 2. Commodities that Speak: Form and Transformation in MaryRowlandson's Captivity Narrative and Harriet Jacobs's Incidents in the Lifeof a Slave Girl; 3. In One Voice: The Autobiographical Act in Maxine HongKingston's The Woman Warrior and Hisaye Yamamoto's "The Legend of MissSasagawara"; 4. Identity and Category Deconstruction in Leslie Marmon Silko'sStoryteller and Adrienne Kennedy's People Who Led to My Plays; Conclusion:Making Face, Making Race: Prosopopoeia, Autobiography, and IdentityConstruction in Cecile Pineda's Face