目次

　 Introducing Visual Criminology, Michelle Brown and Eamonn Carrabine Part I: Foundations – History, Theory Methods Law, evidence and representation, Katherine Biber Social science and visual culture, Eamonn Carrabine "We never, never talked about photography": Documentary photography, visual criminology, and method, Jeff Ferrell Crime films and visual criminology, Nicole Rafter Key methods of visual criminology: An overview of different approaches and their affordances, Luc Pauwels Visions of legitimacy: Public criminology, the image and the legitimation of the carceral state, Jonathan Simon Carceral geography and the spatialization of carceral studies, Dominique Moran Art and its unruly histories: Old and new formations, Eamonn Carrabine Part II: Images and Crime Making the criminal visible: photography and criminality, Jonathan Finn Documentary criminology: A cultural criminological introduction, Keith Hayward Going feral: Kamp Katrina as a case study of documentary criminology, David Redmon Mediated suffering, Sandra Walklate Media, popular culture and the lone wolf terrorist: The evolution of targeting, tactics and violent ideologies, Mark Hamm and Ramón Spaaij Representing the pedophile, Steven Kohm Street art, graffiti and urban aesthetics, Alison Young Risky business: Visual representations in corporate crime films, Gray Cavender and Nancy Jurik Crimesploitation, Paul Kaplan and Daniel LaChance Part III: Images and Criminal Justice In plain view: Violence and the police image. Travis Linneman The role of the visual in the restoration of social order, Tony Kearon Opening a window on probation cultures: A photographic imagination, Anne Worrall, Nicola Carr and Gwen Robinson How does the photograph punish?, Phil Carney The visual retreat of the prison: Non-places for Non-people, Yvonne Jewkes, Eleanor Slee and Dominique Moran Pervasive punishment: Experiencing supervision, Wendy Fitzgibbon, Christine Graebsch and Fergus McNeill Graphic justice and criminological aesthetics: Visual criminology on the streets of Gotham, Thomas Giddens Part IV: Accusing Images and Images Accused Staged imagery of killing and torture: Ethical and normative dimensions of seeing, Lieve Gies Jus Des(s)erts? Crime and Punishment in the Italian Last Judgement, Lisa Wade Visualizing blackness – racializing gameness: Social inequalities in virtual gaming communities, Jordan Mazurek and Kishonna Gray Visual power and sovereignty: Indigenous art and colonialism, Chris Cuneen Asylum seekers and moving images: Walking, sensorial encounters and visual criminology, Maggie O’Neill Visual criminology and cultural memory: The aestheticization of boat people, Jacqueline Wilson Seeing and seeing-as: Building a politics of visibility in criminology, Sarah Armstrong The concerned criminologist: Refocusing the ethos of socially committed photographic research, Cécile Van de Voorde Los Angeles, urban history and neo-noir cinema, Gareth Millington Against a "humanizing" prison cinema: The Prison in Twelve Landscapes and the politics of abolition imagery, Brett Story Part V: Future Directions Fascinated receptivity and the visual unconscious of crime, Stephen Pfohl The criminologist as visual scholar in a global mediascape, Michelle Brown Sunk capital, sinking prisons, stinking landfills: Landscape, ideology, visuality and the carceral state in central Appalachia, Judah Schept Territorial coding in street art and censure: Ernest Pignon-Ernest’s contribution to visual criminology, Ronnie Lippens Representations of environmental crime and harm: A green-cultural criminological perspective on Human-Altered Landscapes, Avi Brisman There’s no place like home: Encountering crime and criminality in representations of the domestic, Michael Fiddler Monstrous nature: A meeting of gothic, green and cultural criminologies, Nigel South