Constructing Coherence in the British Short Story Cycle(Literary Criticism and Cultural Theory) H 280 p. 18
目次
Table of Contents 1 Patrick Gill, Florian Kläger Introduction: Constructing Coherence in the British Short Story Cycle I: Theory 2 Elke D’hokerA Continuum of Fragmentation. Distinguishing the Short Story Cycle from the Composite Novel 3 Anja Müller-WoodBio-Cognitive Constraints in the Reception of Short Story Cycles 4 Corinna Norrick-RühlShort Story Collections and Cycles in the British Literary Marketplace II: Traditions 5 Mark IttensohnA "shred and patch school of writing": The Emergence of the Modern Short Story Cycle in Late Romantic Britain 6 Rainer EmigRecovered Coherence in an Early Short Story Cycle: Rudyard Kipling’s Plain Tales from the Hills 7 Gerri KimberA Cycle of Dislocation: Katherine Mansfield, Modernism, and Proto-postcolonialism III: Transformations 8 Michael C. FrankTwo Worlds in One Book: Ways of Sunlight and the Migrant Short Story Cycle 9 Louisa HadleyThe Fateful Cycle of Fairytales: Reading A. S. Byatt’s The Djinn in the Nightingale’s Eye 10 Janine HauthalUnity in Diversity? Imagining Europe in Julian Barnes’s Cross Channel 11 Valerie O’RiordanTraumatic Cycles: Ali Smith and A. L. Kennedy 12 Jacob HovindKazuo Ishiguro’s Portraits of Paralysis 13 Roxanne Harde"Consuming themselves endlessly": Women and Power in Livi Michael’s Short Story Cycle 14 Emma YoungRe-framing Feminist Politics in Helen Simpson’s A Bunch of Fives: Selected Stories 15 Gerd BayerThe Short Narrative Form in David Mitchell’s The Bone Clocks List of Contributors
カート
カートに商品は入っていません。