【ベルトルト・ブレヒト:重要・一次資料 全3巻】
Bertolt Brecht:Critical and Primary Sources (Critical and Primary Sources) '20
著者紹介
内容
目次
Volume One: Life and Work Life The young Brecht 1. Werner Frisch and K.W. Obermeier, 'Schulerzeitung Die Ernte', in Frisch and Obermeier, Brecht in Augsburg. Erinnerungen, Dokumente, Texts, Fotos (Frankfurt/Main: Suhrkamp, 76) 2. Tom Kuhn, '"Ja, damals waren wir Dichter": Hanns Otto Munsterer, Bertolt Brecht and the Dynamics of Literary Friendship, Brecht Yearbook, 21 (1996) Brecht and the Weimar Republic 3. Philip Glahn, 'Sachlichkeit', in Glahn, Bertolt Brecht (London: Reaktion, 2014) Brecht in Exile 4. James K. Lyon, '"Changing Countries More Often Than Shoes', in Lyon, Bertolt Brecht in America (London: Methuen, 1982) Brecht in the GDR 5. Stephen Parker, 'A Life's Work Curtailed? The Ailing Brecht's Struggle with the SED Leadership over GDR Cultural Policy', in Laura Bradley and Karen Leeder (eds.), Brecht and the GDR. Politics, Culture, Posterity (Rochester NY: Camden House, 2011) 6. Brecht, '[Eigenarten des Berliner Ensembles 2], in Brecht, Schriften, vol. 3 (Berlin and Frankfurt/Main: Aufbau and Suhrkamp, 1993) Work Plays: Early/Weimar work 7. R. C. Speirs, 'Brecht's Plays of the Weimar Period', in Alan F. Bance, (ed.), Weimar Germany: Writers and Politics (Edinburgh: Scottish Academic Press, 1982) 8. Herbert Ihering, '[Review of Drums in the Night]', in Monika Wyss, Brecht in der Kritik (Munich: Kindler, 1977) 9. Monty Jacobs, '[Review of The Threepenny Opera]' , in Monika Wyss, Brecht in der Kritik (Munich: Kindler, 1977) The Lehrstucke 10. Brecht, 'Zur Theorie des Lehrstucks', in Brecht, Schriften, vol. 2 (Berlin and Frankfurt/Main: Aufbau and Suhrkamp, 1993) 11. Andrzej Wirth, 'The Lehrstuck as Performance', The Drama Review, 43: 4 (1999) 12. Durus, '[Review of The Measures Taken'], in Monika Wyss, Brecht in der Kritik (Munich: Kindler, 1977) Exile 13. Brecht, 'Thesen fur proletarische Literatur', in Brecht, Schriften, vol. 2 (Berlin and Frankfurt/Main: Aufbau and Suhrkamp, 1993) 14. Ehrhard Bahr, 'Brechts Episches Theater als Exiltheater', in Alexander Stephan, (ed.); Hans Wagener, (ed.), Schreiben im Exil: Zur AEsthetik der deutschen Exilliteratur 1933-1945 (Bonn: Bouvier, 1985) 15. Hans Ott, '[Review of Mother Courage and her Children]' , in Monika Wyss, Brecht in der Kritik (Munich: Kindler, 1977) Return to Germany/Adaptations 16. David Barnett, 'Adaptations for the Berliner Ensemble', in Brecht, Berliner Ensemble Adaptations (London: Bloomsbury, 2014) 17. Gerhard Wahnrau, '[Review of Mother Courage and her Children]' , in Monika Wyss, Brecht in der Kritik (Munich: Kindler, 1977) 18. Franz Schonauer, '[Review of Coriolan]' , in Monika Wyss, Brecht in der Kritik (Munich: Kindler, 1977) Fragments 19. Judith Wilke, 'The Making of a Document: An Approach to Brecht's "Fatzer" Fragment', TDR 43: 4 (1999) Poetry: City poems 20. David Midgely, 'The Poet in Berlin: Brecht's City Poetry of the 1920s', in Tom Kuhn and Karen Leeder (eds), Empedocles' Shoe (London: Methuen, 2002) Exile poems 21. Tom Kuhn, '"Visit to a Banished Poet": Brecht's Svendborg Poems and the Voices of Exile' in Ronald Speirs (ed.), Brecht's Poetry of Political Exile (Cambridge: Cambridge UP; 2000) Sonnets 22. David Constantine, 'Brecht's Sonnets', in Tom Kuhn and Karen Leeder (eds), Empedocles' Shoe (London: Methuen, 2002) Later poetry 23. Karl H. Schoeps, 'Brecht in Buckow: The Buckow Elegies', Germanic Review, 61, 4 (1986) Prose: The novels 24. Klaus-Detlef Muller, 'Der nichtaristotelische Roman: Brechts Beitrag zum Roma der klassischen Moderne', in Robert Gillett and Godela Weiss-Sussex (eds.), "Verwisch die Spuren!". Bertolt Brecht's Work and Legacy. A Reassessment (Amsterdam: Rodopi, 2008) The short stories 25. Sonia Arribas, 'The Subject Herr Keuner: Towards a Brechtian Ethics', Brecht Yearbook, 35 (2010) Volume Two: Theory Negotiating terminology Epic 1. Fredric Jameson, 'Episch, or, the Third Person', in Jameson, Brecht and Method (London: Verso, 1998) Dialectics 2. David Barnett, 'Dialectics and the Brechtian Tradition', Performance Research, 21:3 (2016) Verfremdung 3. Brecht, 'Verfremdung bestimmter Vorgange durch eine Darstellungsart, die sonst Sitten und Gebrauche erfahren wurden', in Brecht, Schriften, vol. 2 (Berlin and Frankfurt/Main: Aufbau and Suhrkamp, 1993) 4. Anthony Squiers, 'A Critical Response to Heidi M. Silcox's "What's Wrong with Alienation?"', Philosophy and Literature, 39: 1 (2015) Gestus 5. Meg Mumford, 'Getting the Gist of Gestus', in Mumford, Showing the Gestus, unpublished PhD thesis, University of Bristol, 1997 Fabel 6. Brecht, '[Die Fabel]', in Brecht, Schriften, vol. 3 (Berlin and Frankfurt/Main: Aufbau and Suhrkamp, 1993) 7. Craig Kinzer, 'Brecht, the "Fable", and the Teaching of Directing', Brecht Yearbook, 16 (1991) Historicization 8. Astrid Oesmann, 'Art as the Speaker of History', in Oesmann, Staging History (Albany NY: State University of New York, 2005) 9. Brecht, 'Wie lerne ich das Lernen?', in Brecht, Schriften, vol. 2 (Berlin and Frankfurt/Main: Aufbau and Suhrkamp, 1993) Naivety 10. Karl-Heinz Schoeps, 'From Distancing Alienation to Intuitive Naivete: Bertolt Brecht's Establishment of a New Aesthetic Category', Monatshefte, 81: 2 (1989) Major theoretical writings 11. John J. White, 'On the Sociology of Opera' (pp. 31-50) and 'Scheming Brecht' (pp. 50-66), in White, Bertolt Brecht's Dramatic Theory (Rochester NY: Camden House, 2004). The Messingkauf/Buying Brass 12. Martin Puchner, The drama of ideas : platonic provocations in theater and philosophy (New York and Oxford: Oxford University Press, 2010) Me-ti 13. Antony Tatlow, 'Introduction' in Bertolt Brecht's Me-ti: Book of Interventions in the Flow of Things - to be edited by David Barnett Theatre Work 14. Detlev Schoettker, 'Brechts Theaterarbeit: Ein Grundlagenwerk und seine Ausgrenzungen', Weimarer Beitrage, 53: 3 (2007) Brecht and other media Radio 15. Patrick Primavesi, 'Apparat ohne Zuschauer? Zur Dekonstruktion des Mediums in Brechts Ozeanflug', Brecht Yearbook, 24 (1999) Film 16. Angelos Koutsourakis, 'Utilizing the "Ideological Antiquity": Rethinking Brecht and Film Theory' Monatshefte, 107: 2 (2015) Music 17. Kim H. Kowalke, 'Brecht and Music: Theory and Practice', in Peter Thomson and Glendyr Sacks (eds.), The Cambridge Companion to Brecht, second edition (Cambridge: CUP, 2006) Brecht in the information age 18. Dorothee Ostmeier, 'Bertolt Brecht and the Internet', Brecht Yearbook, 26 (2001) The play of ideas The Bible 19. G. Ronald Murphy, Brecht and the Bible: A Study of Religious Nihilism and Human Weakness in Brecht's Drama Mortality and the City (Chapel Hill: U of North Carolina P, 1980) Shakespeare 20. David Barnett, 'Brecht as Great Shakespearean: A Lifelong Connection', in Ruth Morse (ed.), Great Shakespeareans, vol. 14 (London: Bloomsbury, 2013) Marxism, Productivity and Usefulness Capitalism 21. Oesmann, Astrid, 'Tracing the crimes of capitalism: from Mahagonny to Nazi Germany', Brecht Yearbook, 29 (2004) The natural sciences 22. Katharina Brinkert, 'Brecht und die Naturwissenschaften - die Naturwissenschaften und Brecht?', in Christian Hippe and Volker Issbrucker (eds.), Brecht und Naturwissenschaften (Berlin: Verbrecher, 2017) Thought from the Far East 23. Markus Wessendorf, 'Brecht's Materialist Ethics between Confucianism and Mohism' Philosophy East and West, 66: 1 (2016) Genre: Comedy/humour 24. Ralf Simon, 'Zur poetisches Anthropologie der Komoedie in Brechts Messingkauf', Brecht Yearbook, 24 (1999) 25. Brecht, 'On Humour', in Brecht, Bertolt Brecht's Me-ti (London: Bloomsbury, 2016) Tragedy 26. Sean Carney, 'Modern Tragedy' and 'Brechtian Tragedy', in Carney, Brecht and Critical Theory (London: Routledge, 2005) Gendered performance/feminism 27. Elin Diamond, 'Brechtian Theory/ Feminist Theory: Toward a Gestic Feminist Criticism', TDR 32: 1 (1988) Post-colonial Brecht 28. Marc Silberman, 'A Postcolonial Brecht?', Brecht Yearbook, 36 (2011) Volume Three: Practice Brecht as theatre director and documenter Weimar Republic 1. Edward Braun, 'Brecht's Formative Years', in Braun, The Director and the Stage (London: Methuen, 1982) Switzerland/GDR/Berliner Ensemble 2. Bruno C. Duarte, 'Rhythm and Structure: Brecht's Antigone in performance', Performance Philosophy, 2: 2 (2017) online 3. Brecht, '[Originale Auffassungen zu Brechtstucken]', in Brecht, Schriften, vol. 3 (Berlin and Frankfurt/Main: Aufbau and Suhrkamp, 1993) 4. David Barnett, 'Undogmatic Marxism. Brecht as Director at the Berliner Ensemble', in Laura Bradley and Karen Leeder (eds.), Brecht and the GDR. Politics, Culture, Posterity (Rochester NY: Camden House, 2011) Brecht and the actor 5. Brecht, 'Anweisungen and die Schauspieler', in Brecht, Schriften, vol. 2 (Berlin and Frankfurt/Main: Aufbau and Suhrkamp, 1993) 6. John Rouse, 'Brecht and the Contradictory Actor', Theatre Journal, 36: 1 (1984) Brecht and documentation Modelbooks 7. Kristopher Imbrigotta, 'Couragemodell: Detail and Arrangement of a Model Book', in Imbrigotta, Framing Brecht: Photography and Experiment in the Modellbucher, 'Arbeitsjournale', and 'Kriegsfibel', unpublished PhD thesis, University of Madison, Wisconsin 8. Photography/the image Tom Kuhn, 'Was besagt eine Fotografie?' Early Brechtian Perspectives on Photography', Brecht Yearbook, 31 (2006) Brecht's relationships with practitioners Erwin Piscator Caspar Neher 9. Susanne de Ponte, 'Stilmittel einer Buhne Caspar Nehers fur das epische Theater von Brecht', in de Ponte, Caspar Neher. Bertolt Brecht. Eine Buhne fur das epische Theater (Munich: Henschel, 2006) Helene Weigel 10. Brecht, 'Helene Weigel', in Brecht, Schriften, vol. 2 (Berlin and Frankfurt/Main: Aufbau and Suhrkamp, 1993) 11. Patrick Primavesi, 'Gestalt und Entstaltung der Weigel in Texten Brechts', Brecht Yearbook, 25 (2000) Karl Korsch 12. Douglas Kellner, 'Brecht's Marxist Aesthetic: The Korsch Connection', Betty Nance Weber, Hubert Heinen, Iring Fetscher, and Frank Trommler, Bertolt Brecht: Political Theory and Literary Practice (Athens; U of Georgia P; 1980) Walter Be
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