内容

目次

List of Figures ix Acknowledgments xi Notes on Contributors xiii Introduction 1Pam Meecham Part I Ancient & Modern 15 1 Revitalizing Romanticism; or, Reflections on the Nietzschean Aesthetic and the Modern Imagination 17Colin Trodd 2 A Cartography of Desires and Taboos: The Modern Primitive and the Antipodes 37Andrew McNamara and Ann Stephen 3 Primitive/Modern/Contemporary 55Paul Wood 4 Did Modernism Redefine Classicism? The Ancient Modernity of Classical Greek Art 73Whitney Davis 5 Robert Goldwater and the Search for the Primitive: The Asmat Project at the Museum of Primitive Art 91Nick Stanley 6 Surrealist Ireland: the Archaic, the Modern and the Marvelous 109Fionna Barber Part II Displaying the Modern 125 7 Picturing the Installation Shot 127Julie Sheldon 8 Contemporary Displays of Modern Art 145Pam Meecham 9 Camera–Eye: Photography and Modernism 167Liz Wells 10 Photographic Installation Strategies En–bloc and In–the–round 187Wiebke Leister 11 Documenta 6: Memories of Another Modernism 209Judith Brocklehurst Part III Re–assessments: Modernism and Globalization 227 12 Bijiasuo and Truth: Modernism Reassessed in an Era of Globalization 229Jonathan Harris 13 Extensive Modernity: On the Refunctioning of Artists as Producers 245Angela Dimitrakaki 14 Architecture’s Modernisms 263Richard J. Williams 15 The Wide Margins of the Century: Rural Modernism, Pastoral Peasants, and Economic Migrations 283Rosemary Shirley 16 Destabilizing Essentialism through Localizing Modernism 299Naoko Uchiyama Part IV Locating Modernism: Multiple Modernisms and Nation Building 319 17 The Many Modernisms of Australian Art 321Laura Back 18 Greek–Cypriot Locality: (Re) Defining our Understanding of European Modernity 339Elena Stylianou and Nicos Philippou 19 A Northern Avant–garde: Spaces and Cultural Transfer 359Annika O¨hrner 20 Modernisms, Genealogy, and Utopias in Finland 375Renja Suominen–Kokkonen 21 The Engaged Artist: Considerations of Relevance 391Greta Berman 22 Visualizing Figures of Caribbean Slavery through Modernism 411Leon Wainwright Part V The Modern Artist, the Modern Child, and a Modern Art Education 425 23 A Modern Art Education 427Claire Robins 24 Misrecognition: Child’s Play, Modern Art, and Vygotskian Psychology 453Nicholas Addison 25 MoMA and the Modern Child: The Critical Role of Education Programming in MoMA’s Modernism 473Briley Rasmussen 26 Paul C´ezanne’s Young Girl at the Piano – Overture to “Tannh¨auser” or “Le Haschisch des femmes” 493Anna Green Index 517