目次

1. Introducing the Hitchcock TouchI. Hitchcock’s Films2. Facing the Past as Well as the Future: Music and Sound in Hitchcock’s Early British Sound Films3. Between Camera Stylo and the Making of Images: Hitchcock’s Cinematographers4. Hitchcock’s Plotting5. Hitchcock’s Brunettes: Visualizing Queerness in the 1940s and 1950s6. Gazing and Constructing: Imag(in)ing Madeleine in VertigoII. The Paratextual Environment7. “If I Won’t Be Myself, Who Will?”: The Making of a Star Persona in Alfred Hitchcock Presents and The Alfred Hitchcock Hour8. Alfred Hitchcock: Cinematic Seducer. Frenzy and the Seduction Theory of Film9. The Visual Peak: Saul Bass as Hitchcock’s ‘Pictorial Consultant’10. Alfred Hitchcock’s Three Investigators SeriesIII. Beyond Hitchcock11. Jack of All Trades: Alfred Hitchcock’s Apprenticeship in Neubabelsberg, 1924/2512. Hitchcock--Powell--Ford13. Uncommon Dangers: Alfred Hitchcock and the Literary Contexts of the British Spy Thriller 14. Jaws: Directed by Alfred Hitchcock