Orbach, Orly 　著

目次

Introduction Chapter 1 There’s no such thing as a still life: Image making as a rehearsal process Chapter 2 Drawing from experience: The artist as Model Chapter 3 Drawing, Hunting, Praying: Capturing and responding to movement Chapter 4 Sound – Action – Image: Acting out typography Chapter 5 Image-making in public spaces: The streets as immersive theatre Chapter 6 Re-evalutating the ‘Crit’: The drama of giving and receiving feedback Chapter 7 Making the most of misunderstandings: Between intention and interpretation