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【サミュエル・テイラー・コールリッジと芸術】

Samuel Taylor Coleridge and the Fine Arts H 292 p. 08

Paley, Morton D.  著

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価格 特価  \25,286(税込)         
発行年月 2008年07月
出版社/提供元
Oxford University Press
出版国 イギリス
言語 英語
媒体 冊子
装丁 hardcover
ページ数/巻数 292 p., 28 black-and-white halftones
ジャンル 洋書/人文科学/文学/イギリス文学
ISBN 9780199233052
商品コード 0200801199
個人件名 Coleridge, S.T.
本の性格 学術書
新刊案内掲載月 2008年04月
商品URLhttps://kw.maruzen.co.jp/ims/itemDetail.html?itmCd=0200801199

内容

Although Coleridge's thinking and writing about the fine arts was both considerable and interesting, this has not been the subject of a book before. Coleridge owed his initiation into art to Sir George Beaumont. In 1803-4 he had frequent opportunities to learn from Beaumont, to study Beaumont's small but elegant collection and to visit private collections. Before leaving for Malta in April 1804, Coleridge wrote 'I have learnt as much fr[om] Sir George Beaumont respecting Pictures & Painting and Paint[ers as] I ever learnt on any subject from any man in the same Space of Time.' In Italy in 1806, Coleridge's experience of art deepened, thanks to the American artist Washington Allston, who taught him to see the artistic sights of Rome with a painter's eye. Coleridge also visited Florence and Pisa, and later said of the frescoes in Pisa's Camp Santo: 'The impression was greater, I may say, than that any poem ever made upon me.' Back in England, Coleridge visited London exhibitions, country house collections, and even artists' studios. In 1814, both Coleridge and Allston were in Bristol - Coleridge lecturing, Allston exhibiting. Coleridge's 'On the Principles of Genial Criticism' began as a defense of Allston's paintings but became a statement about all the arts. This book, an important contribution to Coleridge's intellectual biography, will make readers aware of a dimension of his thinking that has been largely ignored until now.

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