目次

1. IntroductionI. General Studies2. Stagecraft and Statecraft: Queenship and Theatricality on the Shakespearean Stage3. Shakespeare's Queens and Collective Forces: Facing Aristocracy, Dealing with Crowds.- II. Queenship & Sovereignty4. "I trust I may not trust thee": Queens and Royal Women's Visions of the World in King John5. Cordelia, Foreign Queenship, and the Commonweal6. "Tremble at patience": Constant Queens and Female Solidarity in The Two Noble Kinsmen and The Winter's Tale.- III. Queenship & Motherhood7. "...to beare the name of a queene": Eleanor, Duchess of Gloucester, and Lady Macbeth: Queens and Motherhood8. Womb Rhetoric: The Martial Maternity of Volumnia, Tamora, and Elizabeth I9. "Good queen, my lord, good queen": Royal Mothers in Shakespeare's PlaysIV. Queenship & Rhetoric10. Margaret of Anjou and the Rhetoric of Sovereign Violence11. "I can no longer hold me patient!": Margaret, Anger, and Political Voice in Richard III12. Shakespeare's Cleopatra as Metatheatrical MonarchV. Absent/Missing Queens13. "Nothing Hath Begot My Something Grief": Invisible Queenship in Shakespeare's Second Tetralogy14. The Queen's Two Bodies in The Winter's Tale15. The Political Aesthetics of Anne Boleyn's Queenship in Henry VIII, or All is True16. The Fortification and Containment of Queen Elizabeth I's Rhetoric and Performance in Shakespeare and Fletcher's Henry VIIIVI. Staging Queens & Contemporary Politics17. The Princess' Political Mission in Love Labour's Lost: The Embassy to get Aquitaine and "all that is" Navarre's18. Katherine of Aragon, Protestant Purity, and the Anxieties of Cultural Mixing in Shakespeare and Fletcher’s King Henry VIII19. “The Ambition in my Love”: The Theatre of Courtly Conduct in All’s Well That Ends WellVII. Queenship & Intertextuality20. As Wise as She is Beautiful: Reconciling Shakespeare’s Fairy Queen and Spenser’s Faerie Queene21.  The Princess of France: Difference and Dif(fé)rance in Love’s Labour’s Lost22. “A gap in nature”: Re-writing Cleopatra Through Antony and Cleopatra’s Cosmology23. En un infierno los dos: Catherine of Aragon and Anne Boleyn in Shakespeare & Fletcher’s Henry VIII and Calderón’s La cisma de InglaterraVIII. Performing Queenship24. Margaret of Anjou: Shakespeare's Adapted Heroine25. The Bard, the Bride, and the Muse Bemused: Katherine de Valois on Film in Shakespeare’s Henry V26. The “squeaking Cleopatra boy”: Performance of the Queen’s Two Bodies on the Early Modern Stage