目次

Part 1 Introduction; Introduction, Horst Zander; Part 2 Central Aspects; Chapter 1 History’s Alternative Caesars, Martin Jehne; Chapter 2 Caesar On and Off the Renaissance English Stage, Clifford Ronan; Chapter 3 Shakespeare’s Sources, Vivian Thomas; Chapter 4 From Monarchy to Tyranny, Barbara L. Parker; Chapter 5 “Time … Come Round”, Joseph Candido; Chapter 6 “That every like is not the same”, Barbara J. Baines; Chapter 7 From Theatre to Globe, J. L. Simmons; Chapter 8 Buying and Selling So(u)les, Naomi Conn Liebler; Chapter 9 “There is Restitution, no End of Restitution, only not for us”, Andreas Mahler; Part 3 Current Debates; Chapter 10 Shakespeare’s Julius Caesar, David Hawkes; Chapter 11 Constructing Caesar, David Willbern; Chapter 12 “It’s an actor, boss. Unarmed”, Simon Barker; Chapter 13 Julius Caesar’s Analogue Clock and the Accents of History, Dennis Kezar; Chapter 14 Major Among the Minors, Graham Holderness, Marcus Nevitt; Chapter 15 “Passions of some difference”, Coppélia Kahn; Part 4 Julius Caesar on Stage; Chapter 16 Stage Worlds of Julius Caesar, James Rigney; Chapter 17 Orson Welles and After, Michael Anderegg; Chapter 18 Royal Caesar, Tom Matheson; Chapter 19 Multicultural and Regendered Romans, Michael L. Greenwald; Chapter 20 Political Caesar, Mariangela Tempera;