著者紹介

内容

目次

Introduction Ronnie Mulryne; Part I. Japanese Shakespeare inPerformance: 1. The rebirth of Shakespeare in Japan: from the 1960s to the1990s Akihiko Senda, translated by Ryuta Minami; 2. One man's Hamlet in 1911Japan: the Bungei Kyokai production in the Imperial Theatre Brian Powell; 3.Koreya Senda and political Shakespeare Dennis Kennedy and J. Thomas Rimer; 4.The perils and profits of interculturalism and the theatre art of TadashiSuzuki Ronnie Mulryne; 5. Hideki Noda's Shakespeare: the languages ofperformance Margaret Shewring; 6. Japanese Shakespeare and English reviewersTetsuo Kishi; 7. Directing King Lear in Japanese translation Tetsuo Anzai;Part II. Shakespeare and the Traditional Japanese Stage: 8. Preface to theJapanese translation of Renaissance Self-Fashioning Stephen Greenblatt; 9.Tragedy and emotion: Shakespeare and Chikamatsu Takashi Sasayama; 10.Conflicting authorities: the canonization of Zeami and Shakespeare GerryYokota-Murakami; 11. Shakespearean drama and the Noh: Theatrum Mundi andnothingness Izumi Momose; 12. Tradition and the Bunraku adapation of TheTempest Minoru Fujita; 13. The performance of gendered identity inShakespeare and Kabuki Yoko Takakuwa; 14. Kyogenizing ShakespeareShakespeareanizing Kyogen Yasunari Takahashi; 15. The Braggart Samurai: aKyogen adaptation of The Merry Wives of Windsor Yasunari Takahashi; Part III.Afterword: 16. A playgoer's journey from Shakespeare to Japanese classicaltheatre and back Robert Hapgood; Part IV. A Chronological Table ofShakespeare Productions in Japan, 1866-1994 Ryuta Minami.