目次

PA RT I: Historical Perspectives 1. Wilkie’s Story: Dominant Histories, Hidden Musicians, and Cosmopolitan Connections in Jazz (Tony Whyton) / 2. Diasporic Jazz (Bruce Johnson) / 3. I Like to Recognize the Tune: Interrupting Jazz and Musical Theater Histories (Julianne Lindberg) / 4. “That Ain’t No Creole, It’s a . . .!”: Masquerade, Marketing, and Shapeshifting Race in Early New Orleans Jazz (Bruce Boyd Raeburn) / 5. Jazz Education: Historical and Critical Perspectives (Ken Prouty) / 6. Swan Songs: Jazz, Death, and Famous Last Concerts (Walter van de Leur) 7. Jazz on Radio (Tim Wall) PART  II: Methodologies 8. After Wynton: Narrating Jazz in the Postneotraditional Era (David Ake) / 9. Jazz and the Material Turn (Floris Schuiling) / 10. Jazz Meets Pop in the United Kingdom (Catherine Tackley) / 11. On  Billboard, Isaac Hayes, and the “Swinging Relationship” Between Jazz and Its Popular Music Cousins, 1950–1973 (John Howland) / 12. “Wacky Post-Fluxus Revolutionary Mixed Media Shenanigans”: Rethinking Jazz and Jazz Studies Through Jason Moran’s Multimedia Performance (John Gennari) / 13. Conceptualizing Jazz as a Cultural Practice in Soviet Estonia (Heli Reimann) / 14. And Then I Don’t Feel So Bad: Jazz, Sentimentality, and Popular Song (Alan Stanbridge) PART  III: Core Issues and Topics 15. Space and Place in Jazz (Andrew Berish) / 16. Time in Jazz (Mark Doffman) / 17. Jazz and Disability (George McKay) / 18. Race in the New Jazz Studies (Patrick Burke) / 19. The Vocalized Tone (Tom Perchard) / 20. Jazz and the Recording Process (Benjamin Bierman) / 21. Figuring  Improvisation  (Peter Elsdon) / 22. Listening for Empire in Transnational Jazz Studies (Frederick J. Schenker) PART  IV: Individuals, Collectives, and Communities 23. New Orleans, the “Creole Concept,” and Jazz (Wolfram Knauer) / 24. Sitting In and Subbing Out: The Gig Economy of 1960s New York (Marian Jago) / 25. George Lewis’s  Voyager (Paul Steinbeck) / 26. Quiet About It—Jazz in Japan (Michael Pronko) / 27. Performing Improvisation: Bill Evans and Jean-Yves Thibaudet (Deborah Mawer) / 28. Bossa Nova and Beyond: The Jazz as Symbol of Brazilian-Ness (Eduardo Vicente) / 29. Individuals, Collectives, and Communities: Festivals and Festivalization: The Shaping Influence of a Jazz Institution (Scott Currie) PART  V: Politics, Discourse, and Ideology 30. The Birth of Jazz Diplomacy: American Jazz in Italy, 1945–1963 (Anna Harwell Celenza) / 31. Jazzing for a Better Future: South Africa and Beyond (Christopher Ballantine) / 32. Eric Hobsbawm (Roger Fagge) / 33. Jazz at the Crossroads of Art and Popular Music Discourses in the 1960s (David Brackett) / 34. The Rhetoric of Jazz (Gregory Clark) / 35. Unfinalizable: Dialog and Self-Expression in Jazz (Charles Hersch) / 36. Improvisation: What Is It Good for? (Raymond MacDonald and Graeme Wilson) / 37. Friends and Neighbors: Jazz and Everyday Aesthetics (Nicholas Gebhardt) PART  VI: New Directions and Debates 38. “The Reason I Play the Way I Do Is”: Jazzmen, Emotion, and Creating in Jazz (Nichole Rustin-Paschal) / 39. The Art of Improvisation in the Age of Computational Participation (David Borgo) / 40. Renaissance or Afterlife? Nostalgia in the New Jazz Films (Björn Heile) / 41. Comics as Criticism: Harvey Pekar, Jazz Writer (Nicolas Pillai) / 42. Free Spirits: The Performativity of Free Improvisation (Petter Frost Fadnes) / 43. My Jazz World: The Rise and Fall of a Digital Utopia (Simon Barber) / 44. Writing the Jazz Life (Krin Gabbard)