Ruddick, Nicholas 　著

内容

目次

Introduction - Learning to Resist the Wolf, Nicholas Ruddick. Part 1 AManifesto for Fantasists: Oh God, Here Come the Elves!", Jane Yolen. Part 2Unreal Rhetorics - Contemporary Fantastic Theory and Practice: Fantasy andthe Narrative Transaction, Brian Attebery; Specular SF - Postmodern Allegory,Veronica Hollinger; Knowing about Knowing - Paradigms of Knowledge in thePostmodern Fantastic, Peter Malekin; Im/maculate - Some Instances of GnosticScience Fiction, Reinhold Kramer; The Reproduction of the Body in Space,Elisabeth Vonarburg. Part 3 Recovering the Numinous - Studies in the Britishand European Fantastic: M.G. Lewis and Later Gothic Fiction - The NuminousDissipated, Robert F. Geary; The Taming of the Screw - Rohmer's Filming ofKleist's "Die Marquise von O ......", Mary Rhiel; Alain Robbe-Grillet and theFantastic, Tony Chadwick and Virginia Harger-Grinling; Caricature, Parody,Satire - Narrative Masks as Subversion of the Picaro in Patrick Suskind's"Perfume", Edith Borchardt. Part 4 From the Empire of the Senseless - Studiesin American Fantasy and Science Fiction: Reality, Fiction, and Wu in "The Manin the High Castle", Jianjiong Zhu; Zelazny's Black - The Sidekick as SecondShelf, Carl B. Yoke; Suicide, Murder, Culture and Catastrophe - Joanna Russ's"We Who Are About to ....", Patrick D. Murphy; Getting a Kick Out of Chaos -"Fortunate Failure" in Greg Bear's Future Histories, Len Hatfield; Out ofBlue Water - Dream Flight and Narrative Construction in the Novels of ToniMorrison, Grace A. Epstein; Dominance and Subversion - The Horizontal Sublimeand Erotic Empowerment in the Works of Kathy Acker, Greg Lewis Peters. Part 5Machine Nightmares - Sex and Techno-horror in Fantastic Literature and Film:The Dawn Patrol - Sex, Technology, and Irony in Farmer and Ballard, Gary K.Wolfe; The Making of Frankenstein's Monster - Post-Golem Pre-Robot, NormaRowen; "Westworld", "Futureworld" and the World's Obscenity, J.P. Telotte;The Animal at the Door - Modern Works of Horror and the Natural Animal,Marian Scholtmeijer.