内容

目次

Father and son - the Ruskin family art collection, Robert Hewison;"candid and earnest" - the rise of the art critic in the early 19th century,Claire Wildsmith; the "dark clue" and the law of help - Ruskin, Turner, andthe "Liber Studiorum", Alan Davis; Ruskin and the Gothic revival - hisresearch on Venetian architecture, Robert Hewison; Ruskin and Millais atGlenfinlas, Alastair Grieve; pre-Raphaelite intimacy -Ruskin and Rossetti,Elizabeth Helsinger; "The Light of the World" as "true sacred art" - Ruskinand William Holman Hunt, Michael Wheeler; "Archangel" Veronese - Ruskin asprotestant spectator, Andrew Tate; "according to the requirements of hisscholars" - Ruskin, drawing and art education, Ray Haslam; the "womanquestion" - Ruskin and the female artist, Pamela Gerrish Nunn; Ruskin and theprofessor - the response of Albert Goodwin to the aesthetics of John Ruskin,David Wootton; the critic as autobiographer - Ruskin and his artists, DinahBirch.