内容

目次

"Flagpoles and entrance doors" - introduction, Reingard M. Nischik. Part1 Life and status: lions, tigers, and pussycats - Margaret Atwood(auto-)biographically, Nathalie Cooke; celebrity, or a Disneyland of the soul- Margaret Atwood and the media, Susanne Becker; canonizing Atwood - herimpact on teaching in the US, Canada, and Europe, Caroline Rosenthal; Part 2Works: on the border - Margaret Atwood's novels, Alice M. Palumbo; MargaretAtwood's short fiction, Charlotte Sturgess; Margaret Atwood's poetry1966-1995, Lothar Honnighausen; "a certain frivolity" - Margaret Atwood'sliteracy criticism, Walter Pache. Part 3 Approaches: transgressing genre -ageneric approach to Margaret Atwood's novels, Coral Ann Howells; alias Atwood- narrative games and gender politics, Barbara Hill Rigney; Margaret Atwood -a Canadian nationalist, Paul Goetsch; Margaret Atwood, the land, and ecology,Ronald B. Hatch; recycling culture - kitsch, camp, and trash in MargaretAtwood's fiction, Lorna Irvine; mythological intertexts in Margaret Atwood'sworks, Sharon R. Wilson; re-constructions of reality in Margaret Atwood'sliterature - a constructionist approach, Klaus Peter Mueller. Part 4Creativity, transmission, reception: challenging the reader - an analysis ofMargaret Atwood's creative technique in her first published novel, HelmutReichenbacher; creativity - an interview with Margaret Atwood, GabrieleMetzler; working with Margaret Atwood, Ellen Seligman; charted and unchartedcourses, Nan A. Talese; on loyalty and love, Liz Calder; representingMargaret Atwood, Phoebe Larmore; assisting Margaret Atwood, Sarah Cooper;reminiscing, Helmut Frielinghaus; on translating Margaret Atwood, BrigitteWalitzek; the J-stroke, Arnulf Conradi. Margaret Atwood in statements byfellow writers.