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Introduction Gaylyn Studlar & Matthew Bernstein Part I 1."'Shall We Gather at the River?': The Late Films of John Ford,"Robin Wood 2. "Sacred Duties, Poetic Passions: John Ford and Issue ofFemininity in the Western" Gaylyn Studlar 3. "The Margin as Center:The Multicultural Dynamics of John Ford's Westerns" Charles Ramirez Berg4. "Linear Patterns and Ethnic Encounters in the Ford Western" JoanDagle 5. "How the West Wasn't Won: the Repression of Capitalism in JohnFord's Westerns" Peter Lehman 6. "Painting the Legend: FredericRemington and the Western" Edward Buscombe 7. "'The Sound of ManyVoices': Music in John Ford's Westerns" Kathryn Kalinak 8. "JohnFord and James Fenimore Cooper: Two Rode Together" Barry Keith Grant 9."From Aesthete to Pappy: The Evolution of John Ford's PublicReputation" Charles J. Maland Part II-Dossier Emanuel Eisenberg,"John Ford: Fighting Irish," New Theater, April 1936 Frank S.Nugent, "Hollywood's Favorite Rebel," Saturday Evening Post, July23, 1949 John Ford, "John Wayne--My Pal," Hollywood, no. 237 (March17, 1951), translated from the Italian by Gloria Monti Bill Libby, "TheOld Wrangler Rides Again," Cosmopolitan, March 1964"About JohnFord," Action 8.8 (Nov.-Dec. 1973) Filmography Selected BibliographyContributors Index