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Acknowledgements. A Note on the Presentation and Editing of Texts.General Introduction. Part I: Establishing the Place of Art:Introduction. 1. Ancients and Moderns: 1. From The Painting of theAncients 1637: Franciscus Junius. 2. Letter to Junius 1637: Peter PaulRubens. 3. From The Art of Painting, its Antiquity and Greatness 1649:Francisco Pacheco. 4. Dedication to Constantijn Huygens from Icones I1660: Jan de Bisschop. 5. From Painting Illustrated in Three Dialogues1685: William Aglionby. 6. 'A Digression on the Ancients and theModerns' 1688: Bernard le Bovier de Fontenelle. 7. Preface and 'SecondDialogue' from Parallel of the Ancients and Moderns 1688: CharlesPerrault. 8. From Reflections upon Ancient and Modern Learning 1694:William Wotton. 2. The Academy: Systems and Principles: 9. Letters toChantelou and to Chambray 1647/1665: Nicholas Poussin. 10. Observationson Painting c. 1660-5: Nicholas Poussin. 11. Recollections of Poussin1662-1685: Various Authors. 12. Petition to the King and to the Lordsof his Council 1648: Martin de Charmois. 13. Statutes and Regulationsof the Academie Royale de Peinture et de Sculpture 1648. 14. From AnIdea of the Perfection of Painting 1662: Roland Freart de Chambray. 15.Letter to Poussin c. 1665: Jean Baptiste Colbert. 16. 'The Idea of thePainter, Sculptor and Architect' 1664: Giovanni Pietro Bellori. 17.From Conversations on the Lives and Works of the Most Excellent Ancientand Modern Painters 1666: Andre Felibien. 18. Preface to SevenConferences 1667: Andre Felibien. 19. 'First Conference' 1667: CharlesLeBrun. 20. 'Second Conference' 1667: Philippe de Champaigne. 21.'Sixth Conference' 1667: Charles LeBrun. 22. 'Conference on Expression'1668: Charles LeBrun. 23. Table of Precepts: Expression 1680: HenriTestelin. 3. Form and Colour: 24. 'De Imitatione Statuorum', before1640: Peter Paul Rubens. 25. From The Microcosm of Painting 1657:Francesco Scannelli. 26. From 'Diary of the Cavaliere Bernini's Visitto France' 1665: Paul Freart de Chantelou. 27. From De Arte Graphica1667: Charles-Alphonse Du Fresnoy. 28. 'Remarks on De Arte Graphica'1668: Roger de Piles. 29. From The Rich Mines of Venetian Painting1676: Marco Boschini. 30. 'Conference on Titian's Virgin and Child withSt John' 1671: Phillipe de Champaigne. 31. 'Conference on the Merits ofColour' 1671: Louis Gabriel Blanchard. 32. 'Thoughts on M. Blanchard'sDiscourse on the Merits of Colour' 1672: Charles LeBrun. 33. FromDialogue upon Colouring 1673: Roger de Piles. 34. From PracticalDiscourse on the Most Noble Art of Painting c. 1675: Jusepe Martinez.35. From The Antiquity of the Art of Painting c. 1690: Felix da Costa.4. The 'je ne sais quoi': 36. From The Hero 1637: Baltasar Gracian. 37.From The Art of Worldly Wisdom 1647: Baltasar Gracian. 38. 'Answer toDavenant's Preface to Gondibert' 1650: Thomas Hobbes. 39. From Fire inthe Bush and The Law of Freedom in a Platform 1650/2: GerrardWinstanley. 40. From Pensees c. 1654