著者紹介

内容

目次

Introduction vii Angela Esterhammer 1 The Evolution of Sensibility andRepresentation 1.1. Autumn in the Romantic Lyric: An Exemplary Case ofParadigm Shift 3 Lilian R. Furst 1.2 Reflection as Mimetic Trope 23 FrederickBurwick 1.3 On Romantic Cognition 39 Maria Ciesla-Korytowska 1.4 Vorosmartyand the Poetic Fragment in Hungarian Romanticism 55 Mihaly Szegedy-Maszak 1.5Loss and Expectation: Temporal Entwinement as Figure and Theme in Novalis,Wordsworth, Nerval, and Leopardi 63 John M. Baker, Jr. 1.6 Poetry asSelf-Consumption: Women Writers and Their Audiences in British and GermanRomanticism 91 Kari Lokke 2 The Evolution of Genre 2.1 Lyric Poetry in theEarly Romantic Theory of the Schlegel Brothers 115 Ernst Behler 2.2 TheRomantic Ode: History, Language, Performance 143 Angela Esterhammer 2.3 TheEuropean Romantic Epic and the History of a Genre 163 Irena Nikolova 2.4 TheSublime Sonnet in European Romanticism 181 Ian Balfour 2.5 Elegiac Muses:Romantic Women Poets and the Elegy 197 Patrick Vincent 3 Romantic Poetry andNational Projects 3.1 Awakening Peripheries: The Romantic Redefinition ofMyth and Folklore 225 George Bisztray 3.2 "National Poets" in the RomanticAge: Emergence and Importance 249 Virgil Nemoianu 3.3 Romanian Poetry and theGreat Romantic Narrative about the Mission of the Poet 257 Monica Spiridon3.4 Greek Romanticism: A Cosmopolitan Discourse 269 Gregory Jusdanis 3.5 Timeand History in Spanish Romantic Poetry 287 Donald L. Shaw 3.6 The Experienceof the City in British Romantic Poetry 305 Michael Gassenmeier and JensMartin Gurr 3.7 "Sons of Song": Irish Literature in the Age of Nationalism000 Julia M. Wright 3.8 Near the Rapids: Thomas Moore in Canada 000 D. M. R.Bentley 3.9 Address and Its Dialectics in American Romantic Poetry 000Frederick Garber 3.91 Romantic Poetry in Latin America 000 Gwen Kirkpatrick 4Interpretations, Re-creations, and Performances of Romantic Poetry 4.1Baudelaire's Re-reading of Romanticism: Theorizing Commodities / TheCommodification of Theory 000 Geraldine Friedman 4.2 Nachtigallenwahnsinn andRabbinismus: Heine's Literary Provocation to German-Jewish Cultural Identity000 Thomas Pfau 4.3 Reception as Performance: The Case of Shelley in Germany000 Susanne Schmid 4.4 Implications of an Influence: On Holderlin's Receptionof Rousseau 000 Stanley Corngold 4.5 Organicist Poetics as Romantic Heritage?000 John Neubauer 4.6 The Uses of Romantic Poetry: Feminine Subjects inModern Spanish Culture 000 Susan Kirkpatrick