著者紹介

内容

目次

Introduction Thomas Christensen; Part I. Disciplining Music Theory: 1.Mapping the terrain Leslie Blasius; 2. Musica practica: music theory aspedagogy Robert W. Wason; 3. Epistemologies of music theory Nicholas Cook;Part II. Speculative Traditions: 4. Greek music theory Thomas J. Mathiesen;5. The transmission of ancient music theory into the Middle Ages CalvinBower; 6. Medieval canonics Jan Herlinger; 7. Tuning and temperament RudolfRasch; 8. The role of harmonics in the scientific revolution Penelope Gouk;9. From acoustics to tonpsychologie Burdette Green and David Butler; 10.Music theory and mathematics Catherine Nolan; Part III. RegulativeTraditions: 11. Notes, scales, and modes in Carolingian thought David Cohen;12. Renaissance modal theory: theoretical, compositional and editorialperspectives Cristle Collins Judd; 13. Tonal organization inseventeenth-century music theory Gregory Barnett; 14. Dualist tonal space andtransformation in the nineteenth century Henry Klumpenhouwer; 15. Organum,diaphonia, discantus, contrapunctus in the Middle Ages Sarah Fuller; 16.Counterpoint pedagogy in the Renaissance Peter Schubert; 17. Performancetheory Albert Cohen; 18. Steps to Parnassus: contrapuntal theory in 1725:precursors and successors Ian Bent; 19. Twelve-tone theory John Covach; 20.The evolution of rhythmic notation Anna Maria Busse Berger; 21. Theories ofmusical rhythm in the eighteenth and nineteenth centuries William Caplin; 22.Rhythm in twentieth-century theory Justin London; 23. Tonality Brian Hyer;24. Rameau and eighteenth-century harmonic theory Joel Lester; 25.Nineteenth-century harmonic theory: the Austro-German legacy David W.Bernstein; 26. Heinrich Schenker William Drabkin; Part IV. DescriptiveTraditions: 27. Music and rhetoric Patrick McCreless; 28. Form Scott Burnham;29. Thematic and motivic analysis Jonathan Dunsby; 30. Energetics LeeRothfarb; 31. The psychology of music Robert Gjerdingen.