Jancovich, Mark, Faire, L., Stubbings, S. 　著

内容

目次

Part One: Introduction Chapter One: From Spectatorship to FilmConsumption Chapter Two: Contexts of Film Consumption Section Two: TheConstruction the Cinema: Fairgrounds, Theatres and Spatial RegulationIntroduction: Class, Gender and Public Space in Early Film ConsumptionChapter Three: Novelties, Fairgrounds and the Exoticisation of Place ChapterFour: Constructing the Cinematograhic Theatre: Purpose Built Cinemas,Community Relations and the Politics of Place Section Three: A ProgressiveCity and its Cinemas: Technology, Modernity and the Spectacle of AbundanceIntroduction: Slum Clearance, Cinema Building and Differentiated ExperiencesChapter Five: Translating the Talkies: Diffusion, Reception and LivePerformance Chapter Six: The City Centre, the Suburbs and the Cinema BuildingBoom Chapter Seven: Consuming Cinemas: Technology, Modernity and theSpectacle of Abundance Part Four: Cinema Closures, Post-war Affluence and theChanging Meanings of Cinema and Television Introduction Chapter Eight:Contemporary Understandings of Cinema Closure Chapter Nine: Locality,Affluence and Urban Decay Chapter Ten: From Cinema Going to TelevisionViewing: The Developing Meanings of a New Medium Chapter Eleven: NegotiatingNostalgia: Modernity, Memory and the Meanings of Place Part Five: BeyondCinema: Film Consumption in the Information Age Introduction Chapter Twelve:Regulating Reception: Legislation, Time-Shifting and the Sociality of VideoChapter Thirteen: 'The Splendid American Venture on the Ring Road':Multiplexes, Americanisation and Mass Consumption Chapter Fourteen: CulturalCapitals: Culture, Diversity and Legitimacy Chapter Fifteen: MediaRevolutions: Futurology, Film Content and the New Media Conclusion