内容

目次

Introduction: trajectories of twentieth-century music Nicholas Cook withAnthony Pople; 1. Peripheries and interfaces: Western music and its othersJonathan Stock; 2. Music of a century: museum culture and the politics ofsubsidy Leon Botstein; 3. Innovation and the avant-garde, 1900-1920Christopher Butler; 4. Music, text and stage: the tradition of bourgeoistonality, 1900-1930 Stephen Banfield; 5. Classic jazz to 1945 James Collier;6. Flirting with the vernacular: America in Europe, 1900-1945 Susan Cook; 7.Between the wars: traditions, modernisms and the "little people' from thesuburbs' Peter Franklin; 8. Brave new worlds: experimentalism between thewars David Nicholls; 9. Proclaiming a mainstream: Schoenberg, Berg, andWebern Joseph Auner; 10. Rewriting the past: classicisms of the interwarperiod Hermann Danuser; 11. Music of seriousness and commitment: the 1930sand beyond Michael Walter; 12. Other mainstreams: light music and easylistening, 1920-70 Derek Scott; 13. New beginnings: the internationalavant-garde, 1945-62 David Osmond-Smith; 14. Moderate modernisms:individualism and accessibility, 1945-75 Arnold Whittall; 15. After swing:modern jazz and its impact Mervyn Cooke; 16. Music of the youth revolution:rock through the 1960s Robynn Stilwell; 17. Expanding horizons: theinternational avant-garde, 1962-75 Richard Toop; 18. To the millennium: musicas commodity Andrew Blake; 19. Ageing of the new: the museum of musicalmodernism Alastair Williams; 20. (Post)-minimalisms, 1975-2000: the searchfor a new mainstream Robert Fink; 21. History and class consciousness: popmusic towards 2000 Dai Griffiths; 22. 'Art' music in a cross-culturalcontext: Africa towards 2000 Martin Scherzinger; Appendices: 1. PersonaliaPeter Elsdon with Bjorn Heile; 2. Chronology Peter Elsdon and Peter Jones.