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Contents: Preface; Carl Nielsen and early 20th-century musical/aesthetic theory, David Fanning; Organicism and construction in Nielsen's Symphony No. 5, Michael Fjeldsøe; Analytical and aesthetic issues in Carl Nielsen's Concerto for Clarinet and Orchestra, Daniel Grimley; Carl Nielsen and intentions: concerning the editing of Carl Nielsen's works, Peter Hauge; Carl Nielsen and Tivoli, Knud Ketting; Carl Nielsen, Ebbe Hamerik and the First Symphony, Niels Krabbe; Different names for the same thing ...?: Nielsen's forces, Schenker's striving, Tarasti's modalities and Simpson's narratives, Tom Pankhurst; Carl Nielsen unmasked: art and popular musical styles in Maskarade, Anne-Marie Reynolds; Stasis and energy: Danish paradox or European issue?, Colin Roth; Reports; Bibliography; Reviews.